“WILD REEDS AND WICKED RHYTHM” at The Ear Inn (June 5, 2011)

Last Sunday, June 5, 2011, was an unsual evening at that Soho mecca of swing, The Ear Inn (326 Spring Street, New York City) in that a band that wasn’t The EarRegulars was playing. 

It was a reunion of sorts for an inspired hot band of individualists that hadn’t played regularly for some time.  In 2005-6, this band had a regular Wednesday-night gig at The Cajun (a now-departed home for jazz in Chelsea).  The quartet was led by banjoist / singer / composer Eddy Davis, who called it WILD REEDS AND WICKED RHTYHM.  The title was more than accurate, and I miss those Wednesday nights.

Eddy’s compatriots were most often Scott Robinson on C-melody saxophone; Orange Kellin on clarinet; Conal Fowkes or Debbie Kennedy on string bass.  Sitters-in were made welcome (an extraordinary visitor was cornetist Bob Barnard) — but this little quartet didn’t need anyone else.  It swung hard and played rhapsodic melodies, as well as exploring Eddy’s own compositions (they had a down-home feel but the harmonies were never predictable).

At the Ear, this band came together once again — Eddy, Scott, Orange (up from New Orleans), and Conal (catch him singing Cole Porter in Woody Allen’s MIDNIGHT IN PARIS) — as well as second-set guests Dan Block and Pete Anderson on saxophones. 

Eddy had grown a fine bushy beard since the last time I saw him, but nothing else had changed — not the riotous joy the musicians took in egging each other on, the deep feeling, the intuitive ensemble cohesiveness, the startling solos . . .

Here’s a tune that all the musicians in the house love to jam!  No, not really — it’s a fairly obscure Washboard Rhythm Kings specialty circa 1931 that I’ve only heard done by the heroic / illustrious Reynolds Brothers.  It has a wonderful title — Eddy tried explaining it to a curious audience member when the performance had ended, with only mild success — FUTURISTIC JUNGLEISM:

Time for something pretty, suggested by Pete Anderson — MEMORIES OF YOU:

And a finale to end all finales — what began as a moody, building WILD MAN BLUES (running ten minutes) and then segued into a hilarious-then-serious romp on FINE AND DANDY . . . reed rapture plus hot strings! 

If that isn’t ecstatic to you, perhaps we should compare definitions of ecstasy?

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5 responses to ““WILD REEDS AND WICKED RHYTHM” at The Ear Inn (June 5, 2011)

  1. I see no need to compare notes. This is fantastic musicianship!

  2. Pingback: “WILD REEDS AND WICKED RHYTHM” at The Ear Inn (June 5, 2011) | Jazz News

  3. Nancie Beaven

    I’m in reed heaven! Brought back nostalgia of the great gigs at the Cajun which I’m sure all besides me, miss so-o-o-much!

  4. Always happy to hear from NB!

  5. Yes, yes, yes! LOVE “Fine and Dandy” all around. Great reference to “Dizzy Atmosphere”!

    As for Conal Fowkes, I’ve only had the pleasure of meeting him once thusfar, but a pleasure it was. I abhor talking during a movie, but I was forced to lean over to my better half and whisper, “Who is that singing? I know that voice…” Anyway, congrats to him for his feature (even got the big letters in the credits); I couldn’t be happier for him.

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