Tag Archives: Connie Jones

A WARM PRESENCE: KITT LOUGH SINGS

The appealing singer Kitt Lough has the right idea.

“I just try to make the song the star, because it really is about what came out of the writer. I’m just the delivery girl, so I try to find the meaning and sentiment in a song and convey that. For me it’s short story-telling; I just happen to be singing it.”

KITT LOUGH

In our era of self-absorption in 4/4, it’s delightful to find someone who understands singing so well and then turns around and converts artistic theory into refreshing practice. She is nicely old-fashioned in that she doesn’t obliterate the melody with improvisations; she loves the songs she sings.  Her voice in itself is a pleasure: rich and warm with a conversational directness.

And since musicians are known by the company they keep, Kitt has a full folder of explicit recommendations from New Orleans players who look forward to working and recording with her: Tim Laughlin, Connie Jones, David Jellema, Larry Scala, Kris Tokarski, Ed Wise, Tom McDermott, and more.

Here is Kitt’s Facebook page.

A BLOSSOM FELL, her second CD, is a modern version of the great swinging tradition, where singer and band graciously honor each other.  She has a wonderful band: Tim Laughlin, clarinet; Connie Jones, cornet; Larry Sieberth, piano; Jim Markway, string bass; Todd Duke, guitar; Herman LeBeaux, drums.

And she’s chosen great lilting songs: BEYOND THE SEA / DREAMER’S HOLIDAY / YOU CAN’T LOSE A BROKEN HEART / YOU’D BE SO NICE TO COME HOME TO / SWAY / IT’S A LOVELY DAY TODAY / NICE WORK IF YOU CAN GET IT / TOO CLOSE FOR COMFORT / A BLOSSOM FELL / AM I BLUE / TAKING A CHANCE ON LOVE / DREAM A LITTLE DREAM OF ME.  Her intelligently chosen repertoire says that she’s done her singer’s homework — but she is no copycat in thrall to her earbuds.

I swore I could not sit through another version of YOU’D BE SO NICE TO COME HOME TO, but I delighted in Kitt’s sensitive intelligent reading of the lyrics; her DREAMER’S HOLIDAY is a wonderfully lighter-than-air invitation; A BLOSSOM FELL is poignant without being maudlin.

I urge my readers to look out for Kitt Lough and her CD, A BLOSSOM FELL. You can purchase the disc and hear samples from it here — or if you like your music in downloadable form, it’s available at the usual places.

Do be sure to investigate what she is up to: Kitt is natural and a natural. The music she creates is very easy to listen to but it is never featureless, dull, or “smooth.”

Here’s a video of Kitt with pianist Kris Tokarski and bassist Ed Wise, wringing every drop of possible music — in a swinging light-hearted way — from ONE NOTE SAMBA:

May your happiness increase!

TOM McDERMOTT DOES THE IMPOSSIBLE

Tom McDermott isn’t (by Marvel Comics’ definition) a superhero.  No cereal box features him.  He is merely a pianist of great renown — those of you who have cable television know him from TREME; those of you who have CD players know him from those little silver discs — and this coming Thursday, August 8, he will do what we know to be physically impossible . . . he will bring New Orleans to Berkeley, California with an 8 PM solo piano gig at the Freight and Salvage Coffeehouse, a local institution.

Here’s Tom rolling through and around Professor John’s TIPITINA:

And he sounds just as good from the back in black and white:

Swing, stride, funk, blues, boogie woogie, rocking music!  The Beloved and I will be there, riding the waves that Tom so generously creates. (Tom and I have mutual friends — cornetist Connie Jones and drummer Hal Smith — so we should get on fine.)

Here’s Tom’s Facebook page.  Here’s the Freight and Salvage homepage, and here’s Tom’s website.

May your happiness increase!

MOLLY RYAN: “SWING FOR YOUR SUPPER”

When I first heard Molly Ryan sing, I thought, “That girl has such a beautiful voice!”  But she has more that that — innate connections to the music, to feeling, and to swing.  She knows what the records sound like, but she doesn’t imitate them: the music comes out of her essential self.

All of these lovely tendencies, fully realized, reverberate through her new CD, SWING FOR YOUR SUPPER! (with its very apropos exclamation point).

MOLLY RYAN

But first.  Something lovely for the ears: SAY IT WITH A KISS, sung so prettily by Molly, accompanied by husband Dan Levinson, clarinet; Mark Shane, piano; Connie Jones, cornet — recorded Sept. 4, 2011, at the Sweet and Hot Music Festival:

The good news about SWING FOR YOUR SUPPER! is that it is a new Molly Ryan – and Friends of the First Rank – CD.  That should be enough for anyone.

The even better news is that it is carefully thought out in every possible way, from the cheerful photos that adorn it, to the exuberant liner notes by Will Friedwald, to the varied and rewarding song choices, to the hot band and the Lady Friends who join in.

If there’s a way it could have been improved, it is beyond me to imagine it.

And all the careful planning hasn’t constricted the result — some CDs are so precise, so cautious, that they are audibly lifeless: morgue-music.  SWING FOR YOUR SUPPER! is beautifully planned but all the planning gives the musicians room to swing out, to do what they do so beautifully, to be their own precious selves as individuals and as a supportive community of swing pals.

The pals are — from the top — husband Dan Levinson, reeds, arrangements, and a vocal; Dan Barrett, trombone, arrangements; Randy Reinhart, cornet; Chris Flory and Bucky Pizzarelli, guitar; Mark Shane, piano; Vince Giordano, bass; Kevin Dorn, drums.  And Molly is joined by vocal swing stars Banu Gibson and Maude Maggart for one third of the eighteen tracks, more than once forming a divinely varied and subtle vocal trio.

And where some well-meant CDs bog down in a narrow or restrictive repertoire (seventy-five minutes of the same thing can get tiring quickly) this one bounces from surprise to surprise, evidence of Molly’s deep knowledge of and enthusiasm for the best music from all kinds of corners.  Here are a few of the composers: Harry Warren, Richard Whiting, Cole Porter, J. Russel Robinson, Ben Oakland, Richard Rodgers, Bronislaw Kaper, Eubie Blake, B.G. DeSylva, Jerome Kern, Victor Young — and HUSHABYE MOUNTAIN from the Sherman brothers’ 1968 film CHITTY CHITTY BANG BANG, no less.

You can purchase SWING FOR YOUR SUPPER here, or (better yet) you can find Molly at a live gig and ask her to sign one for you, which she will do gladly. To keep up with her musical adventures, click here.

She’s the real thing.  But you knew that already.

May your happiness increase!

“CALIFORNIA, HERE I COME!”: TIM LAUGHLIN – CONNIE JONES at SAN DIEGO (Nov. 24, 2012)

Just one more set!” as Bing Crosby might have crooned it in 1931.  Here is  the final one of a series of glorious Musical Offerings performed at the 2012 San Diego Jazz Fest by Tim Laughlin, clarinet; Connie Jones, cornet / vocal; Mike Pittsley, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums.

For me, the opportunity to see / hear / record this band was not simply one of the high points of the San Diego experience, or of 2012, but of my jazz experience.  Period.  No stage joke.  Here they are!

ROYAL GARDEN BLUES:

A BIENTOT:

MY GAL SAL:

NEW ORLEANS AND A RUSTY OLD HORN:

MY BUDDY:

IT’S WONDERFUL:

LULLABY OF THE LEAVES:

YOU CAN’T LOSE A BROKEN HEART:

CALIFORNIA, HERE I COME!:

Thank you to Paul Daspit and the members of this lovely band.  I won’t forget these sounds!

May your happiness increase.

“THAT OLD FEELING”: TIM LAUGHLIN, CONNIE JONES, MIKE PITTSLEY, HAL SMITH, CHRIS DAWSON, MARTY EGGERS, KATIE CAVERA at SAN DIEGO (Nov. 23, 2012)

Here is my penultimate offering by the Tim Laughlin All Stars featuring Connie Jones from the 2012 San Diego Jazz Fest.  That’s Tim on clarinet; Connie on cornet and vocal; Mike Pittsley, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums.

I rejoice that there are still more video performances by this wonderful band — let’s call it by its true name, an orchestra — although I wish the supply had no end.  They’re lucky to us (whatever the score is or was)!

YOU’RE LUCKY TO ME:

THAT OLD FEELING (with the warm sweet melody by Tim):

ONCE IN A WHILE (the Hot Five classic, though at a nice easy bounce):

Something pretty by Tim, CRESCENT CITY MOON:

Give that peerless rhythm section something healthy — how about CHERRY:

SUGAR:

THE ONE I LOVE:

AFTER I SAY I’M SORRY:

What delicious lyricism — that old feeling, indeed.

May your happiness increase.

“LINGER AWHILE”: TIM LAUGHLIN, CONNIE JONES, CHLOE FEORANZO, MIKE PITTSLEY, HAL SMITH, KATIE CAVERA, MARTY EGGERS, CHRIS DAWSON at SAN DIEGO (Nov. 25, 2012)

Here’s that lovely band again, with a youthful guest star who fits right in.  Tim Laughlin, clarinet; Connie Jones, cornet / vocal; Mike Pittsley, trombone; Chris Dawson, piano; Katie Cavera, guitar; Marty Eggers, string bass; Hal Smith, drums, and Chloe Feoranzo, clarinet / tenor.  Recorded at the San Diego Thanksgiving Dixieland Festival, now the San Diego Jazz Fest, on November 23, 2012.

The tune list reminds me of an imagined Eden — Eddie Condon’s in the late Fifties.  A few old-fashioned singable pop hits of the Twenties, some “Chicago jazz,” Morton, Beiderbecke, Carmichael, Handy, Charles Ellsworth Russell.  A perfectly balanced diet: ask any swing nutritionist.

LINGER AWHILE:

PEE WEE’S BLUES:

WOLVERINE BLUES:

SINGIN’ THE BLUES:

THERE’LL BE SOME CHANGES MADE:

BEALE STREET BLUES (how splendidly Connie — the great storyteller — sings this!):

AVALON:

NEW ORLEANS:

I’ve written a good deal about this band — whose music thrills me every time — but I’d like to point out a few things: the way Tim and Chloe intertwine, and his beautiful low register and her energies.  Marty’s unerring pulse and big fat notes! The beautiful introductions Chris creates.  How Hal keeps everyone on track, and his wonderful sounds.  Katie’s delicious acousticism!  Mike’s intelligent, intuitive ensemble work, and conversational solos.  And Connie’s poignancy. Beautiful tempos that never seem too fast or too slow: music for dancing, for dreaming, for uplifting the heart.

LINGER AWHILE isn’t just a song title here; it’s a gracious invitation into deep mysteries of beauty, accessible to everyone but nearly impossible to reproduce.

May your happiness increase.

“IT’S A WONDERFUL WORLD”: TIM LAUGHLIN – CONNIE JONES ALL STARS at SAN DIEGO (Nov. 24, 2012)

Let me be candid.  This band impressed and moved me so much in person, and the videos continue to make me very happy — “tonation and phrasing” carried to the very apex of swinging beauty.

They are Tim Laughlin, clarinet; Connie Jones, cornet and vocal; Mike Pittsley, trombone; Chris Dawson, piano; Marty Eggers, string bass; Katie Cavera, guitar; Hal Smith, drums — all recorded at the San Diego Thanksgiving Dixieland Jazz Festival (this session on November 24, 2013).  This music emphasized the truth of this post’s title, I am positive.

I CRIED FOR YOU:

IT’S A WONDERFUL WORLD:

TOGETHER:

WABASH BLUES:

IT’S BEEN SO LONG:

IF I HAD YOU:

LENA, THE QUEEN OF PALESTEENA:

SPAIN:

DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS?:

And, for the near future — the 34th Festival (now called The San Diego Jazz Festival) will take place from Nov. 27 to Dec. 1, with music by Bob Schulz, Ray Skjelbred, Glenn Crytzer, the Yerba Buena Stompers, the Reynolds Brothers, High Sierra, Stephanie Trick, Paolo Alderighi, Jason Wanner, Bob Draga, Carl Sonny Leyland, Grand Dominion, Chloe Feoranzo, and much more.  For information, visit here.

May your happiness increase.