Tag Archives: Earl Hines

LOUIS, LOUIS, BUNNY, MILDRED, WINGY, and GEORGE

Rarities and delights and eBay.  Oh my!

Someone saved this ticket stub — but went to the dance to hear LOUIS ARMSTRONG, N.B.C. Orchestra (with Red Allen, J. C. Higginbotham, Luis Russell, and Sidney Catlett).  I wonder who was admitted to a dance in Texas in 1940, but it doesn’t bear thinking about:

LOUIS November 15 1940Ten years later, up north in Chicago, at the Blue Note.  The All-Stars.  But who was Bunny West? I thought — perhaps ungenerously — that she might be a vixen with a stage name, but no leads online.

(This one was purchased for $113.50 in the last seconds it was available.)

LOUIS 1950And . . . for something marvelous and never-before-imagined.  Sometime during the Second World War: a young man, Larry Bennett, unknown to me, Mildred Bailey, Wingy Manone, and George Avakian (blessedly, still with us!).  The location?  A supper club or a USO canteen? Wingy is equipped, so he was one of the headliners; George is in uniform. And Mildred?:

MILDRED WINGY AVAKIANWonderful mysteries.

May your happiness increase!

THE INK HAS FADED BUT THE MUSIC REMAINS (1948-9)

From an eBay seller — here is the link to the picture below — comes this photograph of Louis Armstrong, Jack Teagarden, Barney Bigard, and Sidney Catlett in action, autographed by Louis, Sid, Earl Hines, and Barney . . .

LOUIS HINES BARNEY SID autographsI can hear them loud and clear.  Can’t you?

May your happiness increase!

“A BIT O’HARLEM” 1933

The acetates have not turned up, but, thanks to an eBay seller, we have the program that documents the 1933 appearance of the Earl Hines Orchestra at the Chicago World’s Fair.

EARL at 1933 Worlds Fair 1

The Hines band was identified by their prestigious radio broadcast affiliation — but that they were only one act of a long evening:

EARL at 1933 Worlds Fair 2

The seller describes this as “Original program from a concert titled “A Nite of Centuries” at the Auditorium Theatre, Chicago, June 12, 1933, four pages, 8.75 x 5.75 in. One clipped corner (not affecting any text), and a very faint vertical crease, otherwise clean and very good.”

EARL at 1933 Worlds Fair inset
A “Sizzling Study in Sepia” indeed.  I won’t be content with the home-recorded discs of this; I want to see the newsreel footage as well, so that I can enjoy “3 Lightning Flashes and an ensemble of singers and dancers.”

It must have been a spectacular evening: note the appearance of Sophie Tucker, Martha Raye; Vincent Lopez; The Radio Rubes, “radio’s famous hill-billies”; Baby Rose Marie, “remarkable child artist of the stage, screen, and radio”; World’s Fair Frolics, “a dazzling ballyhoo of Chicago World’s Fairest”; and others.

I doubt that anyone who saw this show still walks this earth, which is (to me) a sobering thought.

May your happiness increase!

SWINGTIME IN SOHO (Part One): JON-ERIK KELLSO, DAN BARRETT, CHRIS FLORY, JOEL FORBES at THE EAR INN (Sept. 14, 2014)

At The Ear Inn (326 Spring Street, Soho, New York City), the Sunday-night sessions by the EarRegulars — now in their eighth year — are always delightful. But when Dan Barrett comes back east for a visit, they’re spectacularly rewarding.  Here is the first half of the first set performed on September 14, 2014, by Messrs. Barrett (trombone and instant head arrangements); Jon-Erik Kellso, trumpet; Chris Flory, guitar; Joel Forbes, string bass.

I could write at length about the swinging brotherhood of this quartet, about Jon’s exuberant energy, about Dan’s slippery ensemble work and brilliant solos, about Chris’ immense bluesy conviction, about Joel’s eloquent subtle simplicities, but the music can say all that and more, without words.

COQUETTE:

OUR MONDAY DATE:

THEY SAY IT’S WONDERFUL:

I SURRENDER, DEAR:

Three more to come.

May your happiness increase!

A VIVID MAN: CHARLES “DUFF” CAMPBELL (1915-2014)

Charles “Duff” Campbell — jazz aficionado and art dealer and close friend of the famous — was born on January 9, 1915.  He died on October 3, 2014, peacefully, at his home in San Francisco. Even if he had never become friends with Jelly Roll Morton, Nat Cole, Mary Lou Williams, and many others, he would have been a remarkable man: a childhood in Vladivostok and Shanghai before he returned to California to stay.

Here is an official obituary — but Duff led such a richly varied life this summary cannot begin to tell more than the smallest bit of his tale.

Through the good offices of his dear friend, cornetist Leon Oakley, I was invited to Duff’s house on the afternoon of April 16, 2014, and I brought my video camera.  Duff’s memory was not perfect, and occasionally it took a few questions from Leon to start a story going, but we knew we were in the presence of a true Elder.

He recalled seeing the Ellington band in California in the late Thirties (“They were so damned good”) and hanging out with Mary Lou Williams when she took a solo piano job at a hotel.  “I went to hear everybody,” he said.  “Everybody” meant the Basie  band on an early trip west; Louis and Jack Teagarden in the first All-Stars; Joe Sullivan, Earl Hines, Don Ewell, Darnell Howard, Muggsy Spanier. Duff remembered sitting near Sullivan at Doc Daugherty’s Club Hangover and Sullivan turning to him and saying, “Well, what would you like to hear?”

For me — a born hero-worshipper — Duff was the most real link with the past imaginable.  He sat in a car with Jelly Roll Morton; he drove Art Tatum to and from the gig; he had listening parties with Nat Cole as a guest.

Before anyone turns to the video, a few caveats.  Duff had lost his sight but could still get around his house without assistance, and he had some involuntary muscle movements — so the unsuspecting viewer might think he was terribly comfortable, but he wanted to talk about the days he recalled, and when the afternoon was over he was intent on having us come back soon for more.  It was a warm day and he had dressed formally for his guests, so he was perspiring, but a gentleman didn’t strip down while company was there.  Here are some excerpts from that long interview, with Leon asking Duff questions:

on his encounters with Jelly Roll Morton:

and with Nat King Cole:

a brush with the law:

memories of Art Tatum:

Everyone I’ve ever mentioned Duff to, before and after his passing, has had the same reaction.  We knew and and know now we were in the presence of an Original: quirky, independent, someone who knew what was good and supported it no matter what the crowd liked. I’ve mentioned elsewhere that I first met him at one of Mal Sharpe’s Big Money in Jazz afternoons at the Savoy Tivoli in North Beach San Francisco.  I saw an older gentleman sitting in front of the band, as close as he could get, a drink on the table.  He was dancing in his chair, his body replicating every wave of the music.  When I found out who he was and introduced myself (we had a dear mutual friend, Liadain O’Donovan) he was as enthusiastic in speech as he had been in dance.  And I suspect that enthusiasm, that deep curiosity and energy, sustained him for nearly a century.

Goodbye, Duff.  And thank you. It was an honor to be in your presence.

May your happiness increase! 

ELEGANT SWING: CHRIS DAWSON / DICK HYMAN: “ROSETTA” (August 9, 2014)

Stride pianist / composer / singer Mike Lipskin has generously staged stride piano concerts for some years now, to display the many personal styles that come under that heading.  In 2014, he put on three such concerts: two at Oakland’s Piedmont Piano Company, and one in gorgeous Filoli the next day.

I’ve posted some of the music from this series here and here already.  As Forties radio announcers used to say, here is more “by popular demand.”

Messrs. Dawson (right) and Hyman (left) honor Teddy Wilson with this lovely series of improvisations on Earl Hines’ ROSETTA — but they simultaneously show off their own personalities while honoring the tradition.  A small swing masterpiece:

Dick Hyman was 87 at the time of this performance, his gleaming accuracy and fertile imagination still brilliant.  Chris Dawson, someone I’ve been following on recording and in person for a decade, is younger, but equally delightful as a delicately compelling improviser.  (He will be at the San Diego Jazz Fest with Tim Laughlin and Connie Jones this Thanksgiving — a real reason for gratitude.)

May your happiness increase!

PASTORAL ELEGANCE: CHRIS DAWSON at FILOLI (August 8, 2014)

Last August, I was privileged to watch another of Mike Lipskin’s Stride Summits, this one at the gorgeously pastoral Filoli in California, part of their jazz series.

Here are four performances from that afternoon, featuring the remarkable Chris Dawson.  (I will be sharing other performances by Mike and by Dick Hyman — now 87 — in future postings.)

Honoring Teddy Wilson, Chris offers a lightly orchestral style — always mobile, always swinging, but with an elegant classical restraint balanced against an essential gaiety. The music is dense but appears crystalline.  The astute listener will also hear he is not bound by older harmonic conventions (as in the coda Chris creates for IT HAD TO BE YOU).  I hear subtle hints of Waller, Hines, Tatum, Nat Cole — but the sound Chris gets from a piano is singular and recognizable.  And the result is floating melodies in a wonderful pastoral setting.

IF I HAD YOU:

Another sweet Twenties classic, IT HAD TO BE YOU:

A taste of SUGAR:

Visit here to learn more about Chris.  Thanks to Merrilee Trost for making Jazz at Filoli a continuing pleasure — memorable music in the most welcoming surroundings. More videos to come.

May your happiness increase!