Tag Archives: John Gill

PILGRIMAGES TO BEAUTY

I urge anyone who loves the music to experience it live.  For some, that isn’t possible because of cost or one’s health.  But even though I am proud of my video recordings, they are not the same thing as being on the spot while beauty is created.  And jazz festivals, parties, clubs, concerts can only go on if there are people in attendance.

My readers know all this.  But the trick is to make the great leap from an intellectual awareness (“I should go hear some live jazz . . . someday.”) to action. All of us who have said, “I’ll go to hear Hot Lips Ferguson some other Sunday . . . those gigs will go on forever!” know the sadder reality.)

End of sermon.

I cannot attend this year’s Steamboat Stomp in New Orleans, but my absence means there’s another seat for you.  It begins Friday evening, November 14, and ends Sunday afternoon, the 16th.  In  between I count nineteen one-hour sets of music, in addition to a presentation about the Historic New Orleans Collection, four steam calliope concerts by Debbie Fagnano.  Much of the music will be performed on the two decks of the steamboat Natchez, gliding up and down the Mississippi River.  The artists include Duke Heitger, Don Vappie, Evan Christopher, the Yerba Buena Stompers, Dukes of Dixieland, Tim Laughlin, David Boeddinghaus, Hal Smith, Banu Gibson, Solid Harmony, Jon-Erik Kellso, John Gill, Kevin Dorn, Clint Baker, Tom Bartlett, Conal Fowkes, Orange Kellin, Leon Oakley, Steve Pistorius, and another dozen.

I was able to attend in 2013, and had a wonderful time.  Some evidence!

SWEET LOVIN’ MAN by Duke and the Steamboat Stompers:

Steve Pistorius considers the deep relationship between music, memory, and love in A DOLLAR FOR A DIME:

Banu Gibson, as always, shows us her heart, and it’s full of RHYTHM:

and the Yerba Buena Stompers play a later King Oliver piece, EDNA:

INSERT FOUR-BAR MODULATION HERE.

I returned last night from the 2014 Whitley Bay Classic Jazz Party, exhausted and uplifted.  The exhaustion will wear off (it always does) after a day or two of treating myself like an invalid, nut the joy is permanent.  It comes from seeing people make friends through music.  The music began with rehearsals at 9 AM on Thursday and ended sometime late Monday morning (I heard the jam session at the pub as I was going up the stairs around 1 AM).  The texts for those mellow sermons were based on the teachings of Johnny Dodds, Count Basie, Louis Armstrong, Duke Ellington, Charlie Johnson’s Paradise Orchestra, Jabbo Smith, Jean Goldkette, Bix Beiderbecke, Red Nichols, Chu Berry, Paul Whiteman, Cootie Williams, Adrian Rollini, Jimmy Dorsey, Joe Venuti, Eddie Lang, Johnny Dunn, Luis Russell, Bing Crosby, Helen Morgan, Jimmie Lunceford, Benny Carter, Don Byas, Willie Lewis, Sidney Bechet, Al Bowlly, Cliff Edwards, Eubie Blake, James P. Johnson, Chick Webb, Jelly Roll Morton . . . you get the idea.

And the performers!  Rico Tomasso, Duke Heitger, Menno Daams, Andy Schumm, Bent Persson, Claus Jacobi, Thomas Winteler, Matthias Seuffert, David Boeddinghaus, Graham Hughes, Alistair Allan, Martin Litton, Janice Day, Morten Gunnar Larsen, Keith Nichols, Richard Pite, Malcolm Sked, Phil Rutherford, Spats Langham, Emma Fisk, Frans Sjostrom, Josh Duffee, Nick Ball, Mauro Porro, Henri Lemaire, Kristoffer Kompen, Lars Frank, Martin Wheatley, Jean-Francois Bonnel. . . and sitters-in at the Pub, including Torstein Kubban.  (If I’ve omitted anyone’s name, it is because yesterday was nearly twenty hours of travel, which does terrible things to cognition.)

And the friends!  Everyone who was there will have a mental list, but I think we all start with Patti Durham — then I think of Bob Cox, Bobbi Cox, Derek Coller, Veronica Perrin, Chris Perrin, the young woman clarinetist, so intent, Jonathan David Holmes, Julio Schwarz Andrade, Andrew Wittenborn — and many more.

If you are wondering, the answer is Yes, I did bring my video cameras.  Plural. Safety first.

And I shot video of all the sets, one jam session / concert in the Victory Pub, and many of the rehearsals — several hundred performances.  It takes some time to upload and download, so I have nothing from this last weekend to share with you at the moment.  But I will.

While you are thinking, “How could I start putting money away for the 2015 WHITLEY BAY CLASSIC JAZZ PARTY?” (for that will indeed happen), I invite you to revel in this, recorded at a rehearsal at the 2012 Party:

All over the quite comfortable Village Hotel in Newcastle (with a very solicitous staff) are signs and photographs advertising the pleasures to be found there, all sharing a lower case “v.” at the start, both to show an intensity of feeling (“very!”) as well as remind you of the hotel chain’s identifying logo.  In the mechanism that takes you from one floor to another (I called it an elevator and was reminded that it was a “lift,” because I was in the  United Kingdom now) was a photograph of three pillows reading “v. snuggly” “v. cheeky” and “v.lazy.”

All I will say here, as a bow to the Party and to the Village Hotel and to my heroes and friends, is that I am “v.joyous.”

May your happiness increase!

A THANKSGIVING CORNUCOPIA OF JAZZ: SAN DIEGO JAZZ FEST (November 26-30, 2014)

You can always have turkey if that’s your pleasure, and I hope you will have many occasions to get together with your family, but the San Diego Jazz Fest — the generous creation of America’s Finest City Dixieland Jazz Society comes once a year.  This November will be the thirty-fifth such explosion of music, and it is not to be missed. The SDJF website can be found here, and the amount of good music offered during this long weekend is more than amazing.

Some of the wonderful musicians and bands who will be there are –

Connie Jones-Tim Laughlin New Orleans All Stars, Jim Buchmann, Stephanie Trick, Paolo Alderighi, Marc Caparone, Carl Sonny Leylnd, Marty Eggers, Virginia Tichenor, High Sierra Jazz Band, Josh Duffee’s Graystone Monarchs, the Fat Babies, Yerba Buena Stompers, Dave Bennett, Cornet Chop Suey, Katie Cavera, Titanic Jazz Band, Grand Dominion, Ellis Island Boys, Duke Heitger,Leon Oakley,Kevin Dorn, Conal Fowkes, Orange Kellin, Euphoria Brass Band, Andy Schumm, Chris Dawson, Jonathan Doyle, John Royen, High Society Jazz Band, Sweethearts of Swing, Night Blooming Jazzmen, Clint Baker, Hal Smith, Tom Bartlett, Chris Dawson, Mission Bay High School Preservationists, Sue Palmer and Motel Swing, the Memphis Speed Kings, Red Skunk Gipzee Swing, Corey’s Rolling Figs, Jazz Souffle, South Street Market Jazz Band Reunion, Uptown Lowdown Jazz Band,  Dixie Express Jazz Band, Dick Williams’ Jazzsea Jam, Hal and Georgia Myers’ Dance Classes, Heliotrope Ragtime Orchestra, Chloe Feoranzo, Uptown Rhythm Makers, San Fernando Valley Banjo Band, San Diego Banjo Band, Paragon Quartet, South Bay Jazz Ramblers.

If you can’t find some favorites, some people or groups you love to hear in that list, I would worry for your sake. Anhedonia is a terrible burden.

Paul Daspit, who runs the giant rollicking enterprise, clearly loves the music, and he is a good sort who wants to make sure everyone — musicians, guests, volunteers — is happy and fulfilled.  Full to the brim of fine hot music.

You can buy tickets online here and I urge you to do so soon.

The San Diego Jazz Fest is something to be thankful for.  Truly.

May your happiness increase!

“KEEPING TRADITIONAL JAZZ ALIVE”: JEFF AND JOEL’S HOUSE PARTY (October 10-11-12, 2014)

As an antidote to the recurring journalistic “Jazz is dead,” “Jazz is irrelevant,” “Jazz no longer has an audience,” I offer cheering evidence to the contrary: Jeff and Joel’s House Party (October 10-12, Guilford, Connecticut).

I’ve been to two of the House Parties thrown by Jeff Barnhart and Joel Schiavone in Connecticut and they were wonderful weekends: friendly, full of fun, with easy opportunities to hear an abundance of hot music in cozy surroundings. Rather than hearing music at a distance while sitting in a hotel ballroom, people who attend the House Party actually have it at close range, and find themselves surrounded by friends who are there because they, too, enjoy the sounds.

Most of us aren’t actually going to throw a rent party — hire a dozen or more professional musicians and have them play long sets over a weekend — so this is as close as we will get to that experience.  And when you look at the listing of musicians, stars of the traditional jazz scene in the Northeast, you know that “professional” is both accurate and an understatement here.

Only eighty seats are available for each session over this weekend, so I encourage you to investigate soon: previous House Parties have sold out. (I checked the site today, and more than half of the seating is already taken.)

My friend Eric Devine — a brilliant jazz cinematographer — has been on hand to capture some of the highlights of past House Parties for us all.  (His YouTube channel is CineDevine and he takes his camera to surprising places.) Here are a few samples of the wonderful music to be experienced there. From April 2013, John Gill singing SALOON:

Jeff Barnhart tenderly singing and playing Fats Waller’s THERE’S A GAL IN MY LIFE in October 2013:

I’ve chosen more restrained examples of the hot music offered at the House Party, but there’s plenty of AVALON and THAT’S A PLENTY. Here’s one such seismic expression from October 2012, AFTER YOU’VE GONE:

This year, there will be a special Friday night (October 10) concert featuring Dan Levinson and Molly Ryan: 7-9 PM, tickets $30 / person. And the three sessions to follow (Saturday afternoon and evening, Sunday afternoon) will feature Jeff Barnhart, Joel Schiavone, Vince Giordano, Dan Levinson, Molly Ryan, Herb Gardner, Lew Green, Tom Palinko, Fred Vigorito, Genevieve Rose, Bill Reynolds, Bob Ferguson, Peter Anderson, Will Anderson, Herb Roselle — everything from solo piano, duos and trios, to full-ensemble traditional jazz and banjo-led sing-alongs. You can purchase tickets for individual sessions or for all three, plus Friday’s concert: the tickets for the weekend sessions include food and non-alcoholic beverages.

Find out more at the event’s Facebook page, or at the Jeff and Joel’s House Party page. Or call Maureen Cunningham at (203)208-1481 — Maureen will return your call in the evening.

May your happiness increase!

LOOK OUT! STEAMBOAT COMIN’ ROUND THE BEND!

It is May. Yet I am making plans for November 14-16, 2014. That’s the kind of fellow I am, even if it goes against all the good advice about living in the moment.

I learned from Duke Heitger at last weekend’s jubilant Atlanta Jazz Party that the 2014 Steamboat Stomp — a three-day floating jazz festival held on the steamboat Natchez, floating up and down the Mississippi from New Orleans, is going to happen.

890_stomp2014

It was a glorious weekend in 2013.

steamboatnatchez-paddle

And Duke has some of the same people lined up — the Yerba Buena Stompers, Banu Gibson, and Topsy Chapman — with hints of other heroes and heroines to come.

Of course, much of my pleasure was in the glorious music. But some of it was deeper and harder to explicate. Maybe it was looking out at the Mississippi River flowing by after all those years of reading and teaching HUCKLEBERRY FINN. Maybe it was being on an actual steamboat listening to jazz — the way one might have heard it in 1921 when Fate Marable’s band swung out. Maybe it was getting to walk down the streets of New Orleans — those fabled streets — and try different varieties of gumbo. I can’t tell you exactly what parts of the experience made the strongest impact. But I will be there! And I hope some of my friends can join me.

Here’s some musical evidence of the New Orleans Joys available to people at the Stomp. I do not overstate, you will see.

Before:

Palm Court Cafe, Part One

Palm Court Cafe, Part Two

Oh, Sheik That Thing!

The Steamboat Stomp itself:

Ms. Gibson’s Singular Cardiological Rhythms

Mr. Thompson’s Indigos

Doctor Pistorius and the Worlds of Love

Rocking the River

Stomping for Joy

Joe Oliver  Is Pleased

If that doesn’t convince the hesitant, I don’t know what will.  For myself, the thought of it suddenly becoming November is terrifying. But as far as the 2014 Steamboat Stomp is concerned, I’m ready.

May your happiness increase!

THE YERBA BUENA STOMPERS (and an ESTEEMED GUEST) at the 2013 STEAMBOAT STOMP in NEW ORLEANS

When listening to the Yerba Buena Stompers in person, I always admire their power — which isn’t a matter of volume but of strength. But they are also masters of delicacy, of precision.  They know, and their knowledge comes through as joy rather than a lesson.

Here they are, performing a small concert at the 2013 Steamboat Stomp, Duke Heitger’s delightful idea-turned-into-reality: an autumnal festival of New Orleans-related music in New Orleans, much of it held on an actual steamboat (the Natchez) which lazily paddled its way up and down the Mississippi.  This session took place at the Bourbon Orleans Hotel — on dry land, but no one objected — on October 12, 2013.

The classic YBS lineup was in full force: Leon Oakley, cornet; Duke Heitger, trumpet; Tom Bartlett, trombone; Orange Kellin, clarinet; Conal Fowkes, piano and vocal; John Gill, banjo and vocal; Clint Baker, tuba; Kevin Dorn, drums. And the YBS had a special eminent guest.  You can’t always see him (he sat demurely behind Tom Bartlett, forming a two-banjo rhythm section) but you can feel him . . . the deeply-admired Vince Saunders,leader of the South Frisco Jazz Band for fifty years and counting.  He even takes a heartfelt vocal on OLD FASHIONED LOVE.

STEAMBOAT STOMP (an apt opener for this weekend):

RIVERSIDE BLUES (from the Creole Jazz Band book):

WOLVERINE BLUES (for Mister Jelly):

SWEET MAMA RING-DING-DING (a showcase for our Man from the Islands, Conal Fowkes):

OLD-FASHIONED LOVE (featuring Vince, vocal):

THE OLD STACK O’LEE BLUES:

PINEAPPLE RAG (a rhythm section feature):

EDNA (from King Oliver’s Victor days):

I hope to see you at the 2014 Stomp . . . details to follow later in the year.

May your happiness increase!

DOCTOR PISTORIUS ELABORATES ON THE VARIETIES OF AMOROUS EXPERIENCE, OR TWO FACES OF LOVE (October 11, 2013)

Steve Pistorius has much to teach us — not only from the keyboard, but about the many stops on the larger journey.  Here, at Duke Heitger’s Steamboat Stomp, he gave two small but telling evocations of the moods of Love.  Fellow faculty were Duke, trumpet; Tom Fischer, tenor saxophone; Orange Kellin, clarinet; John Gill, banjo; Tom Saunders, tuba; Jeff Hamilton, drums.

The first: The Lover, in Solitude, Longs for the Music that Reminds him (or her) of Pleasing Hours Spent in the Company of the Amorous Ideal, now Presumed Far Away.  A Mood of Yearning, of Deep Nostalgia, is Conveyed:

The second: The Lover, Learning of a Betrayal, an Assault on Fidelity, Tells the Miscreant in No Uncertain Terms that his / her Presence is No Longer Welcome in the Domicile:

It’s all true.  We’ve lived through these stages, no?

But happier news awaits.  Steve, Orange, reedman James Evans, and string bass wizard Tyler Thomson have created a new CD — NEW ORLEANS SHUFFLE — which has been spinning perpetually in the JAZZ LIVES player.  I will have more news of this shortly.

May your happiness increase!

HOT MUSIC ON THE RIVER: DUKE HEITGER’S STEAMBOAT STOMPERS (Oct. 11, 2013)

The real thing — lyrical New Orleans jazz recorded on the steamboat Natchez sailing up and back the Mississippi River.  In 2013, not 1926, too.  What could be nicer?

All of this was the idea (the dream, perhaps) of our friend and hero Duke Heitger, who launched the first STEAMBOAT STOMP in October 2013.

Here’s some hot music by Duke and his pals — the Steamboat Stompers: Orange Kellin, clarinet; Tom Fischer, tenor saxophone; Steve Pistorius, piano / vocal; John Gill, banjo; Tom Saunders, tuba; Jeff Hamilton, drums.

One for Papa Joe, SWEET LOVIN’ MAN:

Sweetly dancing, those beauties, CREOLE BELLES:

A riverboat favorite, SAILING DOWN THE CHESAPEAKE BAY:

Duke never speaks roughly to anyone, so this traditional end-of-night New Orleans tune has to be taken as a gentle embrace rather than a rough shove out the door — GET OUT OF HERE (AND GO ON HOME):

I’ll keep you posted on the plans for the 2014 Steamboat Stomp, I promise. For the moment, admire these players: they can swing and they can float.

May your happiness increase!