Tag Archives: Rossano Sportiello

WITH LOUIS AND JACK IN MIND: DUKE HEITGER, RANDY REINHART, BOB HAVENS, HARRY ALLEN, ROSSANO SPORTIELLO, HOWARD ALDEN, NICKI PARROTT, JOHN VON OHLEN (ALLEGHENY JAZZ PARTY, September 18, 2014)

One could make the case that anyone can hear STARS FELL ON ALABAMA without thinking of Jack Teagarden or JEEPERS CREEPERS without recalling Louis Armstrong, but I would be somewhat skeptical.  For me, the first song is ever associated with Jack — for thirty years — and with Louis at Symphony Hall in 1947; the second one has been sung and played by many people including Billie  Holiday and Leo Watson, but for me it is always a Louis song — again, for thirty-five years.

But I know that for most musicians, this kind of nostalgic scholarship is, at most subliminal, and these two songs are just well-established parts of the common language, songs everyone of a certain persuasion knows and loves.  As do I.

These performances took place on September 18, 2014, at the Thursday night jam session that is a tradition for the Allegheny Jazz Party (formerly known, in a different location, as Jazz at Chautauqua).  I was sitting so close to the band, a position I favor, that it was impossible to capture everyone at once, but I think you will agree the sound and image are worth it.

The band for ALABAMA was Duke Heitger, trumpet; Randy Reinhart, cornet; Bob Havens, trombone; Rossano Sportiello, piano; Howard Alden, guitar (hear his astonishing harmonics on the first song); Nicki Parrott, string bass; John Von Ohlen, drums.  For JEEPERS, Harry Allen, tenor saxophone, joined in.

Here’s the leisurely STARS FELL ON ALABAMA:

And the romping JEEPERS CREEPERS:

What better advertisement for the good times and fine music to be had at the Allegheny Jazz Party?

May your happiness increase!

OUR BUDDIES: DUKE HEITGER, ANDY SCHUMM, ROSSANO SPORTIELLO, HOWARD ALDEN, JON BURR, PETE SIERS at the ALLEGHENY JAZZ PARTY (Sept. 22, 2014)

In the jam session scenes of films of the preceding century, the two or three trumpet players are always competitive, their horns extending towards the sky, solos played faster, louder, higher. I’m sure this assertive display still goes on somewhere, but the true masters of collaborative creation understand that music is an enterprise where you welcome other players and thus make an audience welcome from the start.

You can experience it here: at the Allegheny Jazz Party, on September 22, 2014: featuring Duke Heitger, trumpet; Andy Schumm, cornet and clarinet; Rossano Sportiello, piano; Howard Alden, banjo; Jon Burr, string bass; Pete Siers, drums — and the text for the mellow sermon was, appropriately, Walter Donaldson’s MY BUDDY:

Making lifelong friendships in and through music.

May your happiness increase!

SHE BURST INTO SONG: REBECCA KILGORE, ROSSANO SPORTIELLO, NICKI PARROTT at the ALLEGHENY JAZZ PARTY (September 22, 2014)

Rebecca Kilgore has been one of my favorite singers for more than two decades now.  But life is full of surprises, delights that catch us happily unaware.  At the Allegheny Jazz Party last month, our Becky stepped to the microphone and announced that she — with the help of two dear friends — had written a song.

And then she sang it.  And it was delicious.

The song is THE DAY I LEARNED FRENCH, and she really did dream that she had mastered the language.  When she awoke, she wrote down the melody and sketched out some lyrics.  Mike Horsfall added the harmonization, and Ellen Vanderslice contributed more clever lyrics to give this Kilgore-fantasy its charming shape.

I am thrilled to be able to share this song, and Rebecca’s sprightly performance, with you. And let us not forget those two international jazz masters, Rossano Sportiello and Nicki Parrott, who add their own je ne sais quoi to it all:

For those who — as I do — delight in the spiffy, stylish lyrics, here they are.

 

THE DAY I LEARNED FRENCH

Verse:

One night I lay me down to sleep

I said a pray’r and counted some sheep

But something strange occurred that night

Was I insane? Let me explain…

 

Refrain:

Oh, the day I learned French, I recall with delight

How I woke with a start, feeling ever so smart:

I’d learned French overnight!

And not just parlez vous I knew French through and through

When so sweetly, j’ai dit “oui completely, the day I learned French

 

In a tiny boutique, lingerie from Paris

Seemed to fit parfaitement in the life of une femme

Who could parler so free

And it’s simply magnifique, to discover I could speak

Like a native, creatively phrasing, the day I learned French

 

It was easy, comme ça, comme ci, voilà, voici, j’ai appris

Merci beaucoup, s’il vous plait, alors, le fait accompli!  [to CODA last time]

 

I looked up at the sky, et j’ai vu le soleil

It was shining so brightly I knew this would be a spectacular day

And the birdies sang cui, cui! They were speaking French like me

We were swingin’ and singin’ the Spring in, the day I learned French

CODA:

You can try this at home, if your slumber is deep

You don’t need an excursion or total immersion, just drop off to sleep

And as quick as un, deux, trois, you can dream in French, voilà!

It’s amazingly, dazingly crazy, the way I learned French

It’s easy voici: Merci beaucoup, à bientôt, adieu

Le fait accompli!

 

Music by Rebecca Kilgore and Mike Horsfall
Words by Rebecca Kilgore and Ellen Vanderslice
Copyright 2014 Cherry Pie Music, PO Box 29103, Portland OR 96296

This isn’t the trio’s sole creation.  Non.

In late July, some of Portland’s finest jazz musicians gathered at Dead Aunt Thelma’s Recording Studio in Sellwood to record fresh original material. Project partners Rebecca Kilgore, Ellen Vanderslice, and Mike Horsfall teamed up to produce 18 original songs, with each partner contributing melodies, harmonies and lyrics to the collaboration.  For the recording session, they brought together a dream team of musicians: Randy Porter, piano; Tom Wakeling, string bass; Todd Strait, drums, with guests David Evans, tenor sax; Dan Balmer, guitar; Jon Moak, trombone; Tim Jensen, flute and alto flute; Israel Annoh, percussion; Steve Christofferson, melodica; Mike Horsfall, vibes and arranging. Special guest Susannah Mars performed a duet with Rebecca on “You Make It Look So Easy,” and contributed vocal harmonies on “A Christmas Lullabye.”

A CD release (details to be announced) is just one of the ways the team hopes to make this sparkling new music available.

And something festive nearer at hand: Becky and friends will be releasing a Christmas EP with 3 original songs.  The title cut is “It’s Getting To Be That Time Of Year” with words and music by Ms. K.

May your happiness increase!

TAL RONEN and FRIENDS at FAT CAT: JON-ERIK KELLSO, ROSSANO SPORTIELLO, KEVIN DORN, ATTILA KORB (October 1, 2014)

When on October 1 I saw on Facebook — my current energetically subjective news source — that the wonderful string bassist Tal Ronen was leading a small group at Fat Cat on Christopher Street in Greenwich Village, I shook off my lassitude and headed there.

I had never heard this combination of heroes before, although I’ve been following three of them for a decade.  Along with Tal, there was Jon-Erik Kellso, trumpet; Rossano Sportiello, piano; Kevin Dorn, drums, and for the closing two tunes, Attila Korb, trombone, sitting in on his first New York trip. (I knew Attila well from his work with the Bohem Ragtime Jazz Band, although we’d never met in person.)

This is really Tal’s International Group, its members hailing from Israel, Italy, Hungary, Allen Park (Michigan), and New York City — not that anyone really needs proof that the fine musicians exist all over the world.

The lighting at Fat Cat is properly subdued, as befits a Greenwich Village basement / recreation center, and the youthful crowd behind me was on its own path, but the band was a dream come true.

WHEN YOU’RE SMILING:

SEPTEMBER IN THE RAIN:

OUR / MY / A MONDAY DATE:

BETWEEN THE DEVIL AND THE DEEP BLUE SEA:

ROYAL GARDEN BLUES:

THERE’LL BE SOME CHANGES MADE:

After a brief break, the Quartet became a Quintet, thanks to the esteemed Mister Korb:

COQUETTE:

STRUTTIN’ WITH SOME BARBECUE:

You already know this, but music is one of the surest pathways to joy.

May your happiness increase!

A STARRY FANTASY: DAN BLOCK, HARRY ALLEN, ROSSANO SPORTIELLO, NICKI PARROTT, RICKY MALICHI (Allegheny Jazz Party, September 18, 2014)

The sweet STAIRWAY TO THE STARS was composed by violinist / arranger Matty Malneck and pianist Frank Signorelli, and first presented as PARK AVENUE FANTASY by Paul Whiteman in 1934.  Later, Mitchell Parish added lyrics.

Dan Block knows and plays songs that might have been forgotten — adding his own deep romanticism to already lovely melodies.  Here he leads an impromptu group at the Thursday night session before the official start of the Allegheny Jazz Party.  Along with Dan, another deep romantic of a tenor player, Harry Allen; the illustrious Rossano Sportiello, piano; Nicki Parrott, string bass; Ricky Malichi, drums.

Climb with them and experience beauty:

Here is another view of the AJP with Duke Heitger and Bob Havens, and here is yet another with Dan Block, Harry Allen, and Dan Barrett.

May your happiness increase!

DAN BLOCK AND FRIENDS at THE ALLEGHENY JAZZ PARTY (Sept. 18, 2014): DAN BLOCK, HARRY ALLEN, DAN BARRETT, ROSSANO SPORTIELLO, JON BURR, PETE SIERS

What follows is a glowing sample of what the masters of any art do, communally and individually: assembling without fanfare for a common purpose, speaking their piece in turn, collaborating to create something beautiful that never existed before.

The inspiring Dan Block (reed master, here playing tenor saxophone) got together with friends and peers at the informal Thursday night session at the 2014 Allegheny Jazz Party and showed us — without being didactic — how it is done.

The friends are Harry Allen, tenor saxophone; Dan Barrett, trombone; Rossano Sportiello, piano; Jon Burr, string bass; Pete Siers, drums. The text for their sweet explorations was FALLING IN LOVE WITH LOVE — by Richard Rodgers and Lorenz Hart, but presented without Hart’s rather dark lyrics, and moved into a lilting swing rhythm for us:

I think music-making at this level is an absolute gift, given freely and generously by the finest artists. Happily, they were performing for an attentive, hushed audience who were, in every sense of the phrase, “getting it.”  Gifts like these come back to the givers.  See the contented smiles on the faces of the musicians as they bask in the warmth of their own creations.  Not immodestly, but joyously, congratulating each other on creating such an uplifting community.

This beauty — in varied hues — sprang to life often during the Allegheny Jazz Party.  I am certain such beauty will flourish again in September 2015.

But that’s a long way away, so let me point you to something closer (if you live in New York or environs).  I will be away, so you have to see and hear for yourself.

The Dan Block Quintet will offer a program he calls “Mary Lou Williams and Benny Carter Meet Hard Bop” at Dizzy’s Club Coca-Cola (that’s Broadway and 60th Street) on Wednesday, October 8th.  Sets are at 7:30 and 9:30 PM.  The Quintet is Dan, saxophone; Adam Birnbaum, piano; Godwin Louis, alto saxophone; Jennifer Vincent, string bass; Alvester Garnett, drums.  One may reserve by phone (212-258-9595) or in person after 6P.M. daily at the club.  It’s a $30 cover, $20 for students.

Block, Allen, Barrett, Sportiello, Burr, Siers — all masters.  Follow them and be uplifted.

May your happiness increase!

WE HAD A BALL: THE 2014 ALLEGHENY JAZZ PARTY

The first thing you need to know is that the 2015 Allegheny Jazz Party will take place on September 10-13, 2015, at the Inter-Continental Hotel (near the Cleveland Clinic) in Cleveland, Ohio.

“Michael, that’s a year from now.  Why are you telling us this?”

I had such a good time at the AJP just concluded that I want everyone to get ready for next year: wonderful music in profusion, comfortable surroundings, a quiet and attentive audience paying serious attention to the good sounds, good food, comfortable rooms in a hotel full of very friendly staff.  Ease and friendliness prevailed, thanks to Nancy Griffith and Kathy Hancock, who could run a medium-sized country with gentleness and efficiency.

You’ll notice I put MUSIC at the top of that list.  Here’s a sample — the second performance from the informal session on Thursday night, created by Duke Heitger, trumpet; Bob Havens (amazing at 84 or any age), trombone; Nicki Parrott, string bass; Howard Alden, guitar; Rossano Sportiello, piano:

You can keep up with the AJP here or at website.

The experience at the AJP was special for reasons beyond the splendid music: a rare comfort was in the air and the guests were so easy with one another.  If you have a 2015 calendar, I encourage you to mark the dates on it now.  You won’t be sorry.

More videos to come.

May your happiness increase!