CHARLESTON IS THE BEST DANCE AFTER ALL

A delicious interlude: Lynne Koehlinger and Peter Varshavsky do an inspired Charleston routine to  Jimmie Noone’s “Every Evening,” at the 2008 Gatsby Ball.   
 
Lynne and Peter defy the laws of physics.  At some points, they seem to be moving in slow motion, with every kick and turn clear, never blurred.  But you know that they’re really dancing at an exhausting pace.  Hard work made to seem effortless!  Their routine has a lovely shape: they begin as a couple in perfect physical harmony, then break out for inspired capers during Earl Hines’s solo and the stop-time chorus, and conclude as a pair.  It’s worthy of Olympic consideration.  Why there isn’t a category for Jazz Dance still mystifies me.  Let’s call it Hot Made Visible.
Thanks to SUN, the Singers’ Underground Network (I just made that up) of Meredith Axelrod and Melissa Collard, who passed this gem on to me.  And now, to you.   
Dramatis Personae:
Melissa Collard should be someone readers of this blog know and admire.  Her first CD, OLD FASHIONED LOVE, is a treasure.  Rumor has it that she and Hal Smith have completed a second one, which is great news. 
Meredith Axelrod, who often works with guitar genius Craig Ventresco, has thoroughly internalized the vocal styles of the early twentieth-century in a way both eerie and exhilirating. 
  

4 responses to “CHARLESTON IS THE BEST DANCE AFTER ALL

  1. Props to Meredith:
    They’re Meredith’s talented friends and she forwarded me the video.

  2. Pingback: CHARLESTON IS THE BEST DANCE AFTER ALL « Jazz Lives | Dancing Blog

  3. This is great, I love it!

  4. Pingback: CHARLESTON IS THE BEST DANCE AFTER ALL (via JAZZ LIVES) | Charlestondance's Blog

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