THE SWEET POISE OF “TENOR MADNESS”

Here are four more performances from one of the best chamber-jazz groups you’ll ever hear — TENOR MADNESS — not a nod to Sonny Rollins’ famous session, but an acknowledgment of the two electric tenor guitars (four-string marvels) in this trio.  Hanna Richardson, that fine singer, is in charge of one; Tom Bronzetti masterfully handles the other; the eloquent bassist Phil Flanigan holds it all together.  Here they are at a cozy concert recorded in November 2009.  Note their gently propulsive rocking motion, their delicacy, the speaking voices of the three instruments, and Hanna’s casual, sly, feeling way with lyrics and melody.  And their quotes from other songs are nimbly hilarious, their harmionies deep (hear what they do on WRAP YOUR TROUBLES IN DREAMS, for one):

And how nicely they handle the sly twists (melody and lyrics) of the imperishable James P. Johnson – Andy Razaf A PORTER’S LOVE SONG TO A CHAMBERMAID, which expresses truest devotion in down-to-earth domestic terms:

(The group apologizes for a few missing measures about three minutes in, due to a camera malfunction . . . I hardly noticed.)

Three variations on the subject of Amour — first, HOW’D YOU LIKE TO LOVE ME?:

Then, an even more insistent Twenties summons, on the theme of “Shut up and kiss me!” — DO SOMETHING (updated in this performance to an eager rock reminiscent of the Nat Cole trio):

And finally, there’s fulfillment in THE LADY’S IN LOVE WITH YOU:

See and hear more about Tenor Madness at http://www.myspace.com/tenorguitarmadness.  Wow!

COPYRIGHT, MICHAEL STEINMAN AND JAZZ LIVES, 2010
Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited.  Excerpts and links may be used, provided that full and clear credit is given to Michael Steinman and Jazz Lives with appropriate and specific direction to the original content.

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