Ten inches square (or in diameter) in fact.
Often of late I have noted jazz treasures for sale on eBay — and posting them here becomes a substitute for attempting to possess them).
But here is a delightful artifact I found and bought. It’s a 10″ red vinyl Paramount long-playing record (a John Steiner production) featuring cornetist Johnny Wiggs, clarinetist Raymond Burke, bassist Sherwood Mangiapane, and guitarist / singer Dr. Edmond Souchon. Recorded in 1955, it is wonderful chamber jazz, with Wiggs’s mixture of Oliver and Bix, somewhere between sad and jaunty, mixing perfectly with the limpid, gutty sound of Burke — resting most comfortably on the rhythmic cushion of acoustic guitar and string bass. Living-room jazz. And the repertoire is wonderful — a medley of MEMORIES / SMILES / SINGIN’ THE BLUES; HEEBIE JEEBIES (with a raucous Louis-inspired vocal by Souchon), TULIP STOMP (also known as WHEN YOU WORE A TULIP), MAMA’S BABY BOY, MAKE ME A PALLET ON THE FLOOR, BUDDY BOLDEN’S BLUES, CONGO (or CONGO SQUARE), and PRETTY BABY (in honor of Tony Jackson).
You can’t see it, but the record label itself credits everything to “Ray Burke and the New Orleanians”: did Wiggs and Burke flip a coin to decide who would get credited outside and inside?
That would have been more than enough for me: the seller offered this at a reasonable price, and I was eager to get it. True, I had the music on a cassette somewhere (courtesy of the late and generous Bob Hilbert) but I wanted the artifact itself.
It came in a soft cardboard envelope with a flap holding the record in, so to remove the disc I had to turn it over . . . and this greeted me, in careful fountain pen:
May 14 / 55
To Pinkey – with apologies for the Bourbon-seared vocal cords!
Edmond Souchon M.D.
I don’t think the seller had seen the back of the sleeve or, if he had, hadn’t made the connection (or hadn’t been trying to raise the price). Thank you, Sir, for your generous offering — whatever the reason! Other sellers, more observant or more avaricious, would have advertised this as RARE! and had a minimum bis of $299.
“Pinkey,” I assume, is clarinetist Pinky Vidacovich . . . and a closer inspection revealed that Souchon had glued a name / address label on the front cover and a small red oval sticker “Souchon” on the record label. Was it his own copy? I don’t know, but I treasure the signature and the sentiments as much as the music.