Neal Miner is not only a fine bassist and composer; he’s also a remarkable jazz videographer who gets splendid results without a truckload of equipment. His YouTube channel is “gutstringrecords,” and I’ve taken two of his recent videos to share (and applaud) here.
The first is a nimble, sustained reading of the Schertzinger-Mercer I REMEMBER YOU for piano trio: Neal, Michael Kanan on piano, Rick Montalbano on drums:
Aside from the music itself, which is probing without losing the essential rhapsodic quality of the song, I would point out how neatly Neal has solved the problem of making a jazz video visually interesting without having fidgety cutting every few seconds.
And here’s CLOSE YOUR EYES by Bernice Petkere, explored by the Pacific Jazz Quartet — Sasha Dobson on the evocative vocal, Neal, Rob Sudduth on tenor saxophone, and Dred Scott on drums:
Satisfying and intriguing — hats off to Neal and friends!
Posted in Swing You Cats!
Tagged Bernice Petkere, Dred Scott, gutstringrecords, independent film, jazz blog, Jazz Lives, jazz video, Johnny Mercer, Michael Kanan, Neal Miner, Pacific Jazz Quartet, Rick Montalbano, Rob Sudduth, Sasha Dobson, Victor Schertzinger, YouTube
Sam Stephenson’s JAZZ LOFT PROJECT blog is one I visit regularly — not only for its subject matter but for the caliber of Sam’s prose. Often the site’s subject is the magical and mysterious music and life revolving around Eugene Smith, photographer and thinker and friend of jazz.
But today I was captivated by a black-and-white picture of a first grade class . . . which turns out to have the jazz pianist Sonny Clark in its front row. I’m calling your attention to this post because of the loving perceptive research into someone’s life that Sam is doing here.
Even if you’re not as deep into Clark’s life and music as Sam is, you should read this posting: http://www.jazzloftproject.org/blog/general/conrad-yeatis-clark-first-grade
Posted in "Thanks A Million", Awful Sad, Ideal Places, Irreplaceable, It's A Mystery, Jazz Titans, Jazz Worth Reading, Pay Attention!, Swing You Cats!, The Heroes Among Us, The Real Thing, The Things We Love
Tagged Eugene Smith, Hard Bop, jazz blog, Jazz Lives, JAZZ LOFT PROJECT, jazz piano, Michael Steinman, Sam Stephenson, Sonny Clark
Another mystery solved, or perhaps another text explicated.
In May 2010, I posted videos (courtesy of Rae Ann Berry) of a party thrown by Alisa Clancy that featured wonderful duets by Jeff Hamilton on piano and Clint Baker on trumpet.
In case you missed them, here they are: https://jazzlives.wordpress.com/2010/05/21/alisas-party-jeff-hamilton-and-clint-baker-may-18-2010/
One of their most saucy outings was SQUEEZE ME, which made me think of its origins in a cheerfully bawdy song called THE BOY IN THE BOAT. The title had little to do with nautical adventures, and I have included the Winslow Homer image above only as a jape.
I had only a partial recollection of the lyrics and asked my readers for assistance. Surprisingly, no explicators or archivists emerged to assist me.
But when I recently found the YouTube channel of “blindleroygarnett” enlightenment came along as a bonus — a late Paramount (circa 1931) of one George Hannah singing about that boy with accompaniment by Meade Lux Lewis.
Listen, my children, and you shall hear.
Now you know!
Posted in "Thanks A Million", Ideal Places, Irreplaceable, Pay Attention!, Swing You Cats!, The Real Thing
Tagged Alisa Clancy, bawdy song, Clint Baker, double-entendre, Fats Waller, fishing, George Hannah, jazz blog, Jazz Lives, Jeff Hamilton, Meade Lux Lewis, Michael Steinman, Paramount Records, SQUEEZE ME, THE BOY IN THE BOAT, Winslow Homer