More from eBay!
On the left, Al Hirt (possibly during his fame in the Sixties). More interesting is a very thin Bobby Hackett on the right, working hard, with someone I can’t identify standing behind him, looking quizzically at the invisible photographer.
At top, the King of Swing, possibly at the Madhattan Room — on the air for CBS. Below, circa 1948: is that Wardell Gray to the extreme left in the saxophone section?
Ellington in the Forties (the first band shot has Ben Webster, Sonny Greer, probably Junior Raglin — 1943?); the second is twenty years or so later, with Lawrence Brown, stalwart, on the far left.
Probably Chicago? Earl Hines, Billy Eckstine on trumpet, Budd Johnson on tenor saxophone. Are the two other musicians Scoops Carey and Shorty McConnell?
I have to say very quietly that I am less interested in Glenn Miller and his many orchestras than many people: what interests me here is not the ghost band below, but the top portrait that has a portly Irving Fazola sitting in the reed section on a gig in Texas, early in Miller’s bandleading career.
Who’s the pretty lady with the astounding hat sitting with Glen Gray on the right? Looks like Miss Mildred to me, grinning happily. Whatever Glen said to her must have been delightful!
Two unrelated Johnsons, J.J. and Gus (they both swung)!
Circa 1937 or 38 — Teddy, Hamp (concentrating hard), and Benny (paying attention): Gene got cut off, but we know he was having fun, too.
The top portrait is just amazing to those of us who are deeply immersed in this art — an autographed picture of Kaiser Marshall in 1938, in Europe (wow!); the second is listed as guitarist Jimmy McLin and saxophonist Earl Bostic, when and where I can’t tell. The beautiful double-breasted suits say “late Thirties,” but that’s only a sartorial guess.
This portrait of the John Kirby Sextet lets us see the diminutive O’Neill Spencer in action — something more unusual than seeing Charlie Shavers, Russell Procope, Buster Bailey, and a pianist who’s not Billy Kyle.
Clockwise: Benny Carter in a familiar publicity pose; a small band featuring Fats Waller’s reliably swinging drummer Slick Jones, and a famous shot from the Columbia studios, 1940, of John Hammond’s noble experiment melding the Basie and Goodman stars in what might have been the world’s finest small jazz band.
A famous Chicago studio portrait from 1936 but still gratifying: the rhythm section of Fletcher Henderson’s Grand Terrace Orchestra: Israel Crosby, bass; Bob Lessey, guitar; Horace Henderson, piano; Sidney Catlett, drums.
Late Twenties, early Fifties, perhaps for Ben Pollack? Jack Teagarden and Benny in the first photo, perhaps Charlie Teagarden (and the Pick-A-Rib Boys) in the second.
Lee Young and J. C Higginbotham, both middle Forties if the suits are evidence.
There’s that Louis fellow again! Ecstatically with Trummy Young (and an invisible Barrett Deems) at top, with Danny Kaye in THE FIVE PENNIES (1959) below.
GOING PLACES indeed! Louis, Maxine Sullivan, Johnny Mercer . . . no doubt rehearsing JEEPERS CREEPERS.
And a delightful piece of memorabilia from Phil Schaap’s new website — which not only features artifacts autographed by Wynton Marsalis and jazz broadcasts from WKCR, but also tangible morsels of jazz history. Can you hear Lips Page and Johnny Windhurst swapping lead and improvised countermelody? I certainly can imagine it! Visit http://www.philschaapjazz.com for more.