“CHICAGO CLARINETS” (San Diego, Nov. 26, 2010)

I don’t necessarily associate Chicago solely with clarinets, since so many other jazz players made it their home, physically or spiritually, from Art Hodes to Marty Grosz to Sidney Catlett to the Armstrongs, Louis and Miss Lil . . . the list could go on for a long time.

But reed players seem to have found that city and its environs congenial, even though the winds coming off the Loop must have dried out freight trainloads of reeds.  Think of Johnny Dodds, Jimmie Noone, Omer Simeon, Frank Teschmacher, Bud Jacobson, Benny Goodman, Frank Chace, Franz Jackson, Joe Rushton, Joe Marsala, and many more.

Drummer and jazz scholar Hal Smith led a small group at the 2010 Dixieland Jazz Festival (the thirty-first!) in San Diego, featuring Kim Cusack on clarinet and vocal; Anita Thomas on clarinet and saxophone; Bobby Gordon on clarinet; Chris Dawson on piano; Marty Eggers on string bass and sousaphone, and Katie Cavera on guitar, banjo, and vocal.  Here are four selections from their set, each one splendid in its own way.

The first one is a real surprise.  PRETTY BABY, the aesthetic offspring of Tony Jackson, is usually done as a langorous rhapsody: not Kim Cusack’s romp, which has a decidedly Condon flavor to it, thanks to that rhythm section, which could move mountains:

Katie sings one of my favorite period songs — HE’S THE LAST WORD — another evocation of the innocent-looking but seductive male swain, with intertwining commentaries from Kim and Anita.  (Katie’s amused mock-naivete is perfect for this set of lyrics!):

I KNOW THAT YOU KNOW takes us back to the Apex Club Orchestra (with Chris filling in neatly for Earl Hines) — Anita and Kim play at being Doc Poston and Jimmie Noone before Bobby cuts his own ferociously individualistic path through the performance, reminding us that even though Pee Wee Russell said he had no Chicago union card, he did touch down there for periods of time:

Finally, Anita’s gutty tribute to Johnny Dodds — BLUE CLARINET STOMP — that gets down in the emotional depths and stays there, with help from that wonderful rhythm section:

Meet me in Chicago!  Or is it San Diego, next Thanksgiving?  Heartfelt thanks to the tireless and on-target Rae Ann Berry, chronicler of all things swinging.

4 responses to ““CHICAGO CLARINETS” (San Diego, Nov. 26, 2010)

  1. Pingback: Tweets that mention “CHICAGO CLARINETS” (San Diego, Nov. 26, 2010) | JAZZ LIVES -- Topsy.com

  2. Bill Lowden ( Jazzbobill)

    Hi Michael , great music, as usual, however, I have to ask whether there is a link problem from your site to UTube ? I have never had a problem in the past, but I find that over the last couple of months I am unable to play the selection on UTube. If I go to UTube in the normal manner, there is no problem, however, I have to search for your current offerings, so this becomes a nuisance. Any suggestions ?
    Bill

  3. Dear Bill,

    To quote Harry Warren and Harry Edison, I WISH I KNEW. I went to my posting and clicked on the arrow in each of the four YT videos and it played. So I have less than no idea — although between me, WordPress, and YouTube, there are many opportunities for breakdowns, emotional or technical. My YouTube channel is called “swingyoucats,” as expected, and you could subscribe to that and get the videos even before I’ve put them on the blog, if you liked. But just so you know that (as my father used to say) “things are tough all over,” I have been downloading clips from Saturday evening — a piano trio extravaganza of the highest order — since Sunday night with many failures between my computer and YouTube . . . so I wish I could be more helpful. Press on regardless is all I can say. Cheers! Michael

  4. Bill Lowden ( Jazzbobill)

    Nice !! Superb playing all round and this applies to all of the tracks . Love that rhythm. You can only play well when that group is swinging. Kudos to you Michael and to RaeAnn for your dedication in bringing great jazz to music lovers like me.

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