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Although the irreplaceable trombonist and singer Vic Dickenson recorded frequently for almost fifty years (his discography stretches from the sweet plaintive vocal on the Luis Russell HONEY, THAT REMINDS ME in 1931 to his last recorded performances in 1983), it never seems like too much. Or even enough.
I speak as someone who followed Vic around in New York City with a variety of tape recorders and once, a camera — between 1969 and 1981. Occasionally he could offer a well-polished solo on BASIN STREET BLUES or IN A SENTIMENTAL MOOD, but he always gave us surprises — whether he was being hilariously non-verbally seductive or slyly making tears come to my our with a ballad.
Here — as a treat, because it is still probably an exceedingly rare record, is a gift from “danishjazz” on YouTube — Blanche Calloway and her Joy Boys, recorded in Chicago, 1934, on a song whose lyrics come right out and say it. (Did Blanche decide to imitate Mae West at the end because Mae was an internationally-known figure, or had Mae gotten her tricks from black vaudeville first? Research!) And the vehement, swiftly-moving solo by Vic is a high point of this record:
But all this serves as prelude to announce a wonderful new CD by Vic with Jim Galloway, music recorded live in Toronto in 1973. I bought my copy as soon as I heard about the disc: I needed to hear Vic play ZING WENT THE STRINGS OF MY HEART — and I wasn’t disappointed.
Here’s the information from Jim’s website (http://www.jimgalloway.com):
Perhaps it belongs on television’s Antiques Roadshow. It’s a valuable slice of Canadian jazz history – a treasure trove in fact. Thirty-seven years ago saxophonist Jim Galloway played with American trombonist Vic Dickenson at a long-gone Toronto venue, Daniels. The show was recorded by Hogtown’s voice of jazz Ted O’Reilly, who stored the tapes – and now they’ve been transcribed. The result is Vic Dickenson Jim Galloway – Live In Toronto (Castor Records 11 001 http://www.jimgalloway.ca), which is pure delight, Galloway on his straight soprano for once (and occasionally baritone sax) matching wits with the king of growls, smears and all-around soft-toned, fluent wit. Backed by warhorses Ron Sorley (piano), Danny Mastri (bass) and George Reed (drums), the session is relaxed, yet swinging, from the first notes of Sonny Boy to the last of Just You, Just Me. It’s fabulous mainstream jazz, with journalist-drummer Paul Rimstead in for three of the dozen tracks. Happily Galloway sounds today much like he did then but everyone who heard Dickenson live misses his earthy playing with its immediately recognizable sound. The leaders both understand the blue notes and tasteful lyricism, and each gets his own stylish feature, Dickenson singing with his horn on Manha de Carnaval and Zing went the Strings of my Heart and Galloway, wry and charming as ever on baritone with Solitude. This great record shows how the wisdom of age trumps the pretentious audacity of much jazz youth. Geoff Chapman, WholeNote Magazine, December 2010
To purchase a copy: Email email@example.com. Canada – $20 plus $3 shipping ($23 CAD). Europe/International – $5 shipping ($25 CAD) (approx 18 euros).
Sonny Boy /Basin Street Blues / Zing Went The Strings Of My Heart / Creole Love Call /Indiana /Just A Closer Walk With Thee / Manha De Carnaval / Struttin’ With Some Barbecue / Solitude / My Gal Sal / Tin Roof Blues / Just You, Just Me //