I’ve written at length about the luxury of Regular Gigs in New York City: the EarRegulars (The Ear Inn) on Sunday; Terry Waldo’s regular sessions at Fat Cat; Vince Giordano and the Nighthawks at Club Cache (Hotel Edison) on Monday and Tuesday; the Grove Street Stompers (Arthur’s Tavern) on Monday; David Ostwald’s Louis Armstrong Centennial Band (Birdland) on Wednesdays. All those bands and venues have much to offer and I hope JAZZ LIVES readers in the vicinity.
But in the middle of this coming week there is a trio of gigs that aren’t everyday (or night) events. And they all begin reasonably early — important to someone like me whose alarm goes off before 6 AM. I hope to go to all three!
The first is on Tuesday, March 29, 2011 from 7:30 to 9:15. It features the engaging singer MARTY ELKINS with the reliably surprising pianist EHUD ASHERIE at Smalls, 183 West 10th Street, New York, NY 10014. $20 gets you in and you can stay. And perhaps Minnow will leap in, again.
On Wednesday, the 30th, the GRAND STREET STOMPERS will be appearing at the Radegast Bierhall in Williamsburg, Brooklyn — beginning at 9 and probably going until midnight. Wonderful food, fizzy blond(e) beer, no cover charge — a tip basket circulates — and lots of informal dancing. It’s at 113 North 3rd Street (I believe the intersection is Berry Street).
Did I mention the music? Trumpeter / composer / arranger GORDON AU will be there — and usually his colleagues are ROB ADKINS on bass, NICK RUSSO on banjo / guitar, EMILY ASHER on trombone, DENNIS LICHTMAN on clarinet — a lovely swinging compact inventive group. And for the Brooklyn-timid, Radegast isn’t more than a few minutes walk from the Bedford Ave. stop on the L, although Doug Pomeroy says there are other ways to arrive at Jazz Paradise.
On Thursday, the inspiring pianist MICHAEL KANAN will be joined by the emotionally deep guitarist PETER BERNSTEIN for a series of duets at Smalls — again 7:30 to 9:15. Come early but leave two seats in the front for the Beloved and her beau, please!
As Ralf Reynolds says, “Thank you for keeping LIVE JAZZ . . . . ALIVE!”