Daily Archives: May 21, 2011

POETIC: MICHAEL KANAN, JOEL PRESS, SEAN SMITH, JOE HUNT (Smalls, May 13, 2011)

There are many first-rate jazz players and many inspiring ones — but only a few reach deeply into the poetry at the heart of the music. 

Last Friday, May 12, 2011, I saw four of these jazz poets at work at Smalls: Michael Kanan, piano; Joel Press, tenor and soprano sax; Sean Smith, bass; Joe Hunt, drums.  Their two sets reached heights that even the best music doesn’t always attain.

I could attempt to describe what I heard in words: Joel’s soulful, conversational approach to melody and his rhythmic energies; Michael’s thoughtful, surprising lines and deep harmonies; Sean’s pulse and empathy; Joe’s array of sweetly musical sounds that embrace the group and push it along.  The animation this quartet brought to well-known material.  But I’d rather let these shining performances speak for themselves . . .

THAT OLD FEELING:

INDIANA:

LOVER MAN:

ERONEL:

BLUES FOR LESTER:

Pure poetry — deep art that doesn’t call attention to itself but lingers in the mind and the heart.  And there’s more to come.

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THOSE RHYTHM MEN: RAY SKJELBRED’S FIRST THURSDAY JAZZ BAND (May 5, 2011)

Here are some more uplifting moments in jazz, courtesy of  on YouTube. 

The prime movers here are Ray Skjelbred’s First Thursday Band, performing at Seattle’s New Orleans Restaurant, on May 5, 2011.  That’s Ray on piano and vocal; Steve Wright, cornet, clarinet, alto and soprano saxophones, vocal; Dave Brown, string bass, vocal; Mike Daugherty, drums, vocal.

I would write “Four minds with but a single thought — to swing,” but that would be an oversimplification.  The beauty of this little band is that they are unified, presenting something irresistible, but each player shines through, his individual sensibility intact yet happily part of the group.  Ray, Steve, Dave, and Mike surely rock — in the best old-time-modern ways.  Savor those tempos!  Many bands with less feeling for the music play only Fast or Slow . . . . not this quartet.  But you don’t need me to tell you how good this band is: the music will do that in a minute. 

THAT RHYTHM MAN — connected to Louis and Fats in 1929 — was originally a dance number for the chorus line, I recall, so its tempo would have been hot.  The FTB takes it at an insinuating medium-tempo, just intoxicating:

Something for Bix — even if the debate goes on whether he is on the Irving Mills 1930 recording of this song — LOVED ONE:

Jelly Roll Morton’s tune WHY asks that puzzling question:

And for the vipers in the house . . . here’s a Thirties paean to the joys of muta.  Mike shows how it would feel to be Tall: he’s VIPER MAD:

More delights await — video performances of AVALON, STUMBLING, MOANIN’, ONE HOUR, AFTER YOU’VE GONE, and a favorite of mine, the lovely FOREVERMORE.

But wait!  There’s more!  “Informed sources,” as I used to read about in the New York Times, have told me that there is a First Thursday Band CD in the works.  What good news!  Watch this space!

“MUSICALLY YOURS” on eBay

Two more surprises from the national museum / flea market / antique store / attic:

Minimum bid $100 . . . .

Minimum bid $6500.  It is a lovely picture, though. 

Thanks to diligent JAZZ LIVES scout David J. Weiner for pointing the way!