JAMES, CHARLES, SALVATORE: FROM THE McCONVILLE ARCHIVES (Part Nine)

Say that my glory was I had such friends,” writes W.B. Yeats.  If we’d never heard a note of Leo McConville’s playing, never seen him in the Walt Roemer and his Capitolians short film . . . we would know him as a man admired and respected by the finest creators in his field.

See for yourself.

JAMES MELTON is hardly a Jack Purvis man of mystery, but he had more than a handful of careers — as the “hot” alto player in Francis Craig’s 1926 band, as a radio personality beginning in the next year, then an opera star.  Melton was a lyric tenor with a light, high voice — and all the formal hallmarks of that style: the exact enunciation, the rolled R — a style that became less popular when the crooners of the late Twenties came to prominence.

Melton is also known, oddly, to jazz fans, as having led a 1929 session of sacred songs that featured Benny Goodman on clarinet and alto, even though a measure of his jazz fame might be that my edition of Brian Rust’s discography has a Melton entry in the index that lacks a page number.  Did Leo meet him on the radio in the late Twenties?

CHARLES MARGULIS has much more presence to jazz listeners for his trumpet work with Jean Goldkette and with Paul Whiteman — but he continued on as an impressive soloist into the Sixties, and he can be heard on recordings with pop artists (Eartha Kitt, Harry Belafonte) as well as his own trumpet showcases.  John Chilton notes that Margulis had a chicken farm in the Thirties: I imagine Charles and Leo discussing the intricacies of the best feed, which breeds gave the most reliable output, and so on.  But here he is, completely urbane:

And the prize, as far as I am concerned — EDDIE LANG (born SALVATORE MASSARO) — one of the most distinctive instrumental voices of his era, in ensemble or solo.

The career that Lang might have had if he had not died on the operating table in 1933 is hinted at in these two film appearances.  The first finds him in the BIG BROADCAST with Bing Crosby, performing DINAH (off-screen) and PLEASE (very much a part of the scene).  And from the less-known A REGULAR TROUPER, he accompanies Ruth Etting on WITHOUT THAT MAN!

Although Lang would not be alive today, I can imagine him accompanying a pop or jazz singer on the ED SULLIVAN SHOW or the HOLLYWOOD PALACE.

More to come . . . !

Two postscripts about Charles Margulis: the Bixography Forum (a treasure-house of information, occasionally a hotbed of controversy) offers a 1962 conversation with the trumpeter:

http://bixography.com/MargulisHolbrook/A%20Conversation%20With%20Charles%20Margulis.html

And just to show that Margulis had great fame into the second half of the last century, here is a picture of one of his long-playing recordings:

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7 responses to “JAMES, CHARLES, SALVATORE: FROM THE McCONVILLE ARCHIVES (Part Nine)

  1. Pingback: JAMES, CHARLES, SALVATORE: FROM THE McCONVILLE ARCHIVES (Part Nine) | Jazz News

  2. And the beauty of Yeats’ poetry is just the start. An awe-inspiring tour. And who knew Margulis was playing behind Eartha Kit??

  3. John Choquette

    Hi, Michael – I promise I will never ask a personal question again – but, do you, perchance, teach literature? I love the “mystical” Yeats – my favorite “unrequited love” poem is “When You are Old” – Please forgive my curiosity about you – I minored in English/American lit at university (UNH). Of course, I love our own dear Robert Frost. I really love that little pic of you – you look so dignified – so “professorial”.

  4. Rob Rothberg

    Gorgeous stuff — again! Thanks to you and the McConville family for sharing.

  5. Yes, John! I wrote a quite immature Yeats dissertation and was deep under his spell until my Irish interests took me to Frank O’Connor. But there are passages from WBY that move me still. I am (in my diurnal life) professor in the English Department at Nassau Community College . . .

  6. Jazz, literature and photography. Add food and I’m in heaven!

  7. Whenever you come to New York, we can have dinner! It would be another version of the desired Hot Jazz Alliance, in caps or not – – – be well! MS

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