BEWARE! GRANDPA MUSSELMAN AND HIS SYNCOPATORS

I’m very suspicious and I’ve contacted the authorities.

Does this man look old enough to be someone’s grandfather?

I thought not.  In fact, I have verifiable information that trombonist Matt Musselman, born in Maryland and currently at large in New York City with Tamar Korn, Gordon Au, and Vince Giordano, just celebrated his twenty-fifth birthday.  So the “Grandpa” moniker is clearly a ruse to bewilder the unwary.  Maidens, beware.  Lock your doors!

But let’s get to the music:

Here, Grandpa Musselman & His Syncopators perform a King Oliver arrangement of Jelly Roll Morton’s “Froggie Moore Rag” at Iridium Jazz Club in New York City on Saturday, July 10th, 2010.  The Syncopators are Vince Nero, saxophones; Russell Moore, trumpet; Matt “Grandpa” Musselman, trombone; Bryan Reeder, piano; Dan Peck, tuba; Will Clark, drums.

The band’s website is http://www.grandpamusselman.com

And here, courtesy of “VerdiSquare” and YouTube, is a 2009 video profile of the band and its players, performing SWEET MAMA, PAPA’S GETTIN’ MAD:

Here’s a link to the band’s Facebook page:

http://www.facebook.com/pages/Grandpa-Musselman-His-Syncopators/156382456552

And their MySpace page, with performances from their CD:

http://www.myspace.com/grandpamusselman

Wait.  Did someone say “a CD”?

Yes, that’s its cover — worth buying for the graphics alone.  It features the band seen on the videos in a riotous bunch of improvisations on everything from a 1905 rag to a Sidney Bechet classic to an Iggy Pop song.  The selections are MISS TROMBONE / JAZZ ME BLUES / SINGIN’ THE BLUES / HARLEM NOCTURNE / I REMEMBER WHEN (also called SI TU VOIS MA MERE) / POSIN’ / WASHINGTON POST MARCH / I NEED SOMEBODY / STARDUST.

“How can I acquire one of these artifacts of twenty-first century creativity?” I hear my audience saying.  Not so fast.  Because Grandpa Musselman and the Syncopators clearly have criminal affiliations, there doesn’t seem to be a legitimate distribution network . . . however, Matt has some copies left and if you meet him at a gig (the best place to say hello) he might have a few in his trombone case.

Seriously, he’s a wonderful musician and improviser — someone who’s impressed me wherever I’ve seen him, and the occasions have been numerous.  And his band is spookily good!

Once the CD — evidence  of the imposture — is safely in your possession, then you may turn the perpetrator over to the local authorities.

Here’s another view of the culprit, contributed by crime photographer John Herr:

2 responses to “BEWARE! GRANDPA MUSSELMAN AND HIS SYNCOPATORS

  1. Doug Pomeroy

    FROGGIE MOORE seems way too fast, so the counterpoint gets lost. (Note, after Musselman’s Froggie Moore, there comes another version by some other, unidentified group of moldy figs. Hey, who said the internet is perfect?) But Musselman’s SWEET MAMA is much better, counterpoint-wise. By God, there IS a younger generation!

  2. I really enjoyed the front line on Froggie Moore, especially the timbre of soprano sax and muted trombone alongside the lead horn, captured in bee-yoo-tee-vul sound no less.

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