AT THE HOP (Part Two): CLINT BAKER’S NEW ORLEANS JAZZ BAND (Aug. 20, 2011)

One set by Clint Baker’s New Orleans Jazz Band wouldn’t have been enough for anyone — either the audience at the Wednesday Night Hop at Mountain View, California, or for the wider audience of JAZZ LIVES.  So here’s the second collection of exuberances: six songs, four of them explicitly New Orleans-rooted, the other two jazz classics.

And a surprise.  When the band took to the stage for the first set, it was Clint (trumpet, leader, vocals); Jim Klippert (trombone, vocal); Robert Banics (clarinet), Jason Vanderford (banjo, vocal); Sam Rocha (bass, tuba); J. Hansen (drums), Carl Sonny Leyland (piano).  But a very nimble pianist — masquerading as the brilliant drummer Jeff Hamilton — was prevailed upon to sit in, and Jeff played the first four tunes of the set, having a good time himself.

And you’ll notice the absence of microphones.  Who needs them when you’ve got swing this hot?

Those tunes?  Well, why not start off with a Debussyian dream, full of watercolor shadings and sweet pastels?  On second thought, let the impressionists be dreamy elsewhere.  Here’s TIGER RAG:

Clint (who’s not a whiner) likes the Jelly Roll Morton tune, a thinly-veiled advertisement of erotic prowess, WININ’ BOY BLUES.  Don’t deny his name:

William H. Tyers’ classic PANAMA followed, its multiple strains in place:

And one of the most-often played and most durable songs in the common language of small-band-swing, HONEYSUCKLE ROSE:

Carl came back to play his part in an energetic SOME OF THESE DAYS:

And the set closed with a funky blues — somewhere between Bill Haley and the Comets and MOP MOP — which I know as JOE AVERY’S PIECE (although it might also be JOE AVERY’S BLUES):

Oh, play those things!

One response to “AT THE HOP (Part Two): CLINT BAKER’S NEW ORLEANS JAZZ BAND (Aug. 20, 2011)

  1. Another great post, my dear NM!! Clint amazes me with his talent in playing so MANY instruments, and definitely “top notch” playing. I was so impressed by Jeff’s work at the piano. WOW!! And of course the master himself, Carl Sonny Leyland…In a nutshell, I enjoyed every song tremendously….”Winin Boy Blues,” has always been a favorite of mine,,,I think It is one of Morton’s best compositions…Many thanks, NM., from AI

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