Daily Archives: November 29, 2011

JOEL PRESS and SPIKE WILNER and DWAYNE CLEMONS at SMALLS (Nov. 17, 2011)

It’s always a delight when reedman Joel Press comes to town, and he proved that once again in his duets with pianist Spike Wilner at Smalls (West 10th Street, Greenwich Village, New York City) on November 17, 2011.

I’ve admired Joel’s playing for some time — first on record, then live — his soulful way of exploring a melody without being tied to familiar harmonic patterns . . . but he never loses the thread.  And although he denies this (“How could a Jewish boy from Brooklyn sound like a Southwest tenor player?”) he has deep roots not only in Lester but in Herschel and that moaning saxophone sound.

Spike was a mature player when I first heard him perhaps six years ago — lithe, swinging, witty, surprising — but now he sounds like a pianistic version of 1957 Coleman Hawkins: he knows the risks and rewards of throwing away the polite rulebook of jazz-school-piano and he often sounds like someone who has decided to let his deepest impulses guide him — without a life vest — and those impulses take him and us to wonderful surprising places.

Both players, also, have a fine sense of the past: Joel lives in 2011 but sneaks glances back at 1944 and 1956, and Spike is always playing / playing with walking tenths and stride bass patterns (as well as hilarious glances at the Swing repertoire, such as I FOUND A NEW BABY seen out of the corner of his eye).

Here are two performances — complex, surging but delicate — by this duo, a pair of masterful conversationalists who point the way for each other and for us at every turn.

A strong-willed reading of IT’S YOU OR NO ONE:

An improvisation on OUT OF NOWHERE:

Spike and Joel invited trumpeter Dwayne Clemons up to join them for a leisurely look at Sonny Rollins’ BLUE SEVEN — both forward-looking and affectionately Basie-flavored.  At times I thought I was listening to Nat Cole, Illinois Jacquet, and Harry Edison time=traveled to Greenwich Village, Autumn 2011.  And that’s a compliment, even though none of the players had any desire to imitate anything:

This is one version of what improvisation is supposed to sound like!

CHRISTMAS COMES EARLY WITH JOHN SHERIDAN, REBECCA KILGORE, HARRY ALLEN and FRIENDS: MONDAY NIGHT JAZZ at FEINSTEIN’S (December 5, 2011)

The Beloved and I had a wonderful time at our October 2011 visit to Feinstein’s at the Regency for Harry Allen’s Monday Night Jazz — a monthly series featuring the finest jazz musicians, sponsored by Arbors Records.  The music was splendid; the room was comfortable and the atmosphere warm; the drinks huge (for those who need to know such things).

Feinstein’s (at the Loew’s Regency Hotel) is located at 540 Park Avenue — at 61st Street, New York City.  You may dine and dance from 7 to 8 PM; the concert will continue from 8-10 PM.   The music charge is $20 and there is a one-drink minimum.  For reservations, telephone 212-339-4095

December 5:  Hooray for Christmas show with Bob Wilber and John Sheridan, Rebecca Kilgore, Jon- Erik Kellso, Randy Sandke, John Allred, Tom Artin, Dan Block, Scott Robinson, James Chirillo, with The Harry Allen Quartet

And the good news is that the series has been extended into 2012 — as they used to say, “by popular demand,” which is a nice way of saying that the room was filled.  (So don’t wait to reserve!)  I hope to see you there!

A footnote.  I wouldn’t recommend an ordinary Christmas show to my readers — because I am an aesthetic Scrooge about the music that starts everywhere even before Christmas.  So much of it is frankly hackneyed that it gets by on pure sentiment rather than virtue — at least to my ears.  But Sheridan’s HOORAY FOR CHRISTMAS project is the very opposite of hackneyed.  Rudolph takes a nap, and Velcro keeps those infernal bells from jingling.  Based on Sheridan’s Dream Band of the same name, the repertoire is full of surprises — lonely love ballads, growly blues, pretty heartfelt songs by Harry Warren and Irving Berlin (but not the one you’d expect from the latter genius) — a whole bagful of variety.  If there is no way you are going to make it to Feinstein’s, you might want to investigate the CD — it’s a present that won’t end up in the closet:

http://www.arborsrecords.com/recordtemplate.html?ProductID=19397.

LUCY’S SECRETS

If you saw this young woman on the street, you would think, “She has a nice smile,” but you might not know that she has several secret lives.

All will be revealed about Lucy Weinman in this post.  She doesn’t have multiple-personality disorder, her own lingerie business, nor a quiz show with Garry Moore.  Her Columbia University transcript would show that she is majoring in biology, is a research fellow at the Kelley Lab — far beyond the high school biology I knew.  You might also encounter her as an enthusiastic swing dancer at a number of venues or a delighted audience member at jazz concerts by people like Dennis Lichtman and Gordon Au.

But this is how I first encountered Lucy.  In full flight and in good company — with Dennis Lichtman and Chloe Feoranzo, Kevin Dorn and other notable souls:

Notice the trumpet attached to our Miss Weinman.  To quote Eddie Condon, she owns it and she plays it.  In fact, Lucy is a really impressive hot trumpeter with a large sound, a truly swinging conception, and a good deal of spice.  She, Jeff Weinman (guitarist / pianist / and also Lucy’s father) and Miss Cherry Delight (vocals) make up the Big Tent Jazz Band with a variety of ringers and sitters-in.  Their Facebook page is http://www.facebook.com/pages/Miss-Cherry-Delight-and-The-Big-Tent-Jazz-Band/343542389217?v=info&sk=info.

That should be enough.  BIO WHIZ GIRL ALSO HOT TRUMPETER would be a nifty headline on an imagined newspaper in a Thirties movie.  But Lucy has more surprises for us.

One is the Columbia University Semi-Formal Swing Dance — coming up on December 9, 2011.  Here (in excited prose I didn’t dare edit) are the details:

CU Swing Dance – This Joint is Jumpin’
: a stompin’ swing dance fiesta featuring New York’s own Grand Street Stompers. Feel-good New Orleans jazz, lovely dancing, lovelier company, and good times will abound. Show up in your semi-finest attire and stretch out those hamstrings cause THIS JOINT’S GONNA BE JUMPIN’!
How it’s gonna go down:
8:30- 9pm – A beginner swing dance lesson provided by CU Swing Dance (No prior experience or partner necessary, ya dig? You got no excuse!)
9pm-12am – The band JUMPS and so do we. It’s that simple.
CUID holders: $8
Non-CUID: $10
*The Grand St. Stompers is a swinging-hot traditional jazz band led by rising young trumpeter Gordon Au and featuring the evocative and joyous vocals of Tamar Korn. With one foot stomping in vintage tradition and the other in modern style, they’ll throw down everything from Louis Armstrong hits and New Orleans standards to Gordon’s exciting originals to surprisingly swinging adaptations of classical pieces and Disney tunes. The bottom line is this: whenever they play, it’s a helluva show.
**Directions: Take the 1 train to 116th St. Walk north on Broadway to Barnard’s Gates at 119th St. Enter campus, turn right, and look for the orange building (The Diana Center). Go down one floor to LL1. Give money to the smiling Columbia students, get your hand stamped, and dance to your heart’s content!

But wait!  There’s more.  WKCR-FM (the radio station of Columbia University, also accessible streaming live on the web at http://www.wkcr.org) is known for seventy years of jazz programming.  One of its long-standing programs — I remember listening to it as far back as the early Seventies — is OUT TO LUNCH, a weekday jazz show from 12-3.  This radio station plays the whole range of recorded jazz from 1917 to the present, from the ODJB to the world of free.  Splendid!  But often — not surprisingly — what’s known as “traditional jazz,” loosely defined as New Orleans, Chicago, early Swing — is left to the very scholarly divagations of the Dean of New York Jazz Radio, Phil Schaap.

Some weeks ago, I was driving home in the early afternoon on a Tuesday, and I turned on my car radio, whose first preset is 89.9, WKCR.  I forget what exactly was coming out of the speaker — was it I MUST HAVE IT by King Oliver or was it FAREWELL BLUES by the New Orleans Rhythm Kings? — but it was a delicious jolt.  The “disc jockey,” the archaic term for the person choosing what records to play, stayed out of the way of the music for a good long time.  Then she announced herself as “Lucy,” and the veils dropped from my eyes.  I am not embarrassed to say that I called the station and said, mock-ominously, “WHAT are you doing playing all that good hot jazz?  What’s the matter with you?” or words to that effect.  Then I introduced myself — Lucy and I know each other from Radegast and The Ear Inn — and we both started laughing happily.

Lucy Weinman is on the air every other Tuesday — her next show is December 13.  She has a clear voice, can pronounce the musicians’ names correctly, and her love for the music comes right through the speaker.  Today, when she was through playing a nice long set of Louis and Earl from 1928, including KNEE DROPS, she began her commentary with a hushed, “Oh, my God.  Louis Armstrong and Earl Hines,” which is proper reverence.

She has at least three or four brilliant careers in front of her, and JAZZ LIVES salutes her varied endeavors — while unmasking her secrets, which is the privilege of Hot Jazz Journalism.  Find out more about her lives at http://www.facebook.com/Lucy.Rae.W.  And if you’re lucky, she’ll bring her horn to a gig.  Pleasant surprises await!

ELVIS COSTELLO in JAZZ LIVES? YES, DO READ ON . . .

My friend Bobby Hacksaw (known as “little Bobby Hacksaw” to Louis) put down his Special Cigar long enough to email this to me.  I never cared much for Elvis Costello, but Mr. Costello’s recent blogpost, STEAL THIS RECORD, has caused me to change my thinking.  He’s gone up, up, up in my estimation: skip forward to the boldface if you’re an impatient reader:

A Pastoral Address From The Right Reverend Jimmy Quickly

There was a time when the release of a new title by your favourite record artist was a cause for excitement and rejoicing but sadly no more.

6th December 2011 sees the issue of “The Return Of The Spectacular Spinning Songbook” by Elvis Costello and the Imposters.

This beautifully designed compendium contains all manner of whimsical scribblings, photographs and cartoons, together with some rock and roll music and vaudevillian ballads.

Tape and celluloid were rolling at the Wiltern Theater, Los Angeles in April this year and present a vivid snapshot of the early days of the Spectacular Spinning Songbook show on “The Revolver Tour” of 2011.

The live recording finds the Imposters in rare form, while the accompanying motion picture blueprints the wilder possibilities of the show, as it made its acclaimed progress across the United States throughout the year.

Unfortunately, we at http://www.elviscostello.com find ourselves unable to recommend this lovely item to you as the price appears to be either a misprint or a satire.

All our attempts to have this number revised have been fruitless but rather than detain you with tedious arguments about morality, panache and book-keeping – when there are really bigger fish to filet these days – we are taking the following unusual step.

If you should really want to buy something special for your loved one at this time of seasonal giving, we can whole-heartedly recommend, “Ambassador Of Jazz” – a cute little imitation suitcase, covered in travel stickers and embossed with the name “Satchmo” but more importantly containing TEN re-mastered albums by one of the most beautiful and loving revolutionaries who ever lived – Louis Armstrong.  The box should be available for under one hundred and fifty American dollars and includes a number of other tricks and treats. Frankly, the music is vastly superior.

If on the other hand you should still want to hear and view the component parts of the above mentioned elaborate hoax, then those items will be available separately at a more affordable price in the New Year, assuming that you have not already obtained them by more unconventional means.

Tickets are currently on-sale for the Spectacular Spinning Songbook appearances in the U.S., U.K. and Europe during April, May and June in the Spring of 2012. More dates will be announced in the very near future.

If I ever meet Elvis Costello in the flesh (unlikely) and I get past the expected security guards (even more unlikely) I will deliver a most embarrassing hug of thanks.  You can depend on me!