The title for this post isn’t my enthusiastic invention. The very creative Peter Ecklund came over to me to say hello during a set break while the GSS were playing at Radegast (Williamsburg, Brooklyn, New York) and his first words were “Isn’t this a wonderful band?” I agreed — and the fact that he phrased it as a rhetorical question takes nothing away from its truth.
Peter was speaking of Gordon Au’s Grand Street Stompers — who, for their Dec. 13, 2011, holiday visitation, were made up of composer / arranger / trumpeter Gordon; reedman Matt Koza; trombonist Emily Asher; guitarist Davy Mooney; bassist Debbie Kennedy; singer Molly Ryan. (Also in the house were friends Marianne Mangan and Robert Levin. And the Official GSS Person, Veronica Lynn Day.)
You’ll find so much to admire here: the swing, the arrangements and compositions; the hot / sweet soloing and singing. I especially admire Gordon’s originals: they lilt and trot like the best jazz tunes or pop songs of the past (I find myself humming them — a sure sign of permanence!) but they take unusual twists: they don’t follow formulaic paths — melodically or harmonically. We begin with three — ranging from a hot march to two rhythm ballads. Then there are pretty vocals by Molly Ryan, ukulele and whistling from Peter Ecklund, and the casually intense playing by every member of this band. They are indeed wonderful!
PISMO BEACH PARADE:
I want to know what Gordon’s title ONCE, DEAR means. Is it “once” as in a numerical concept, or is it “once,” referring to the past? If I know, then I can begin to whimsically compose the lyrics in my head, without ever expecting to hear anyone sing them:
I have had a soft spot for SHE’S A GREAT, GREAT GIRL for thirty-five years, ever since I heard it on a Jack Teagarden RCA Victor Vintage compilation — with Jack’s solo bursting out in the open (with great sympathetic assistance from Vic Berton’s tympani). But I am also fond of the vocal version I heard in the last year or two, where the male singer, obviously besotted beyond reason by the Girl he loves, offers to “give up golfing, even give up my meals,” if he could only hear “the tap-tap of her heels.” Not bad for late Twenties pop song lyrics, I vow:
AIN’T MISBEHAVIN’ — sweetly sung by our own Molly Ryan and strummed by Peter Ecklund:
Molly says I’LL BE HOME FOR CHRISTMAS:
Peter Ecklund is one of the great whistlers I know (along with John Reynolds) and it was a treat to hear him breathe new life into SWEET SUE:
And — as a joint tribute to Walt Disney, Louis Armstrong, and a man in a bear suit — Molly tells us all about the BARE NECESSITIES:
A good time can be had by all: just appear where Gordon Au’s Grand Street Stompers (or perhaps one of the smaller versions) are playing.