Daily Archives: January 7, 2012

UNHEARD MELODIES, 1944

I was browsing online in search of new images or information about one of my favorite musicians, trumpeter Frank Newton, who has been gone since 1954 — and I came across this treasure, taken at the long-gone Greenwich Village jazz club the Pied Piper — on 15 Barrow Street, later reincarnated as Cafe Bohemia.

The bassist looks like Jack Lesberg; the drummer is invisible but might be Mack McGrath; I invite speculation about the young pianist.  The band also had valve trombonist Frank Orchard, and pianists James P. Johnson and Willie “the Lion” Smith alternating between solo and band piano — letting a young Dick Hyman sit in now and again.  A version of this band — woefully without Newton — recorded for Black and White (under the Lion’s name) and for Decca / Commodore / World Transcriptions, thanks to Milt Gabler (under Max’s name).

But that front line of Newton, Max Kaminsky, and Rod Cless is precious.  I’d bet a 1944 ten-dollar bill, which meant much more than it does today, that this band was playing a slow blues.  Can’t you hear it?

Thanks to photographer H. Kratovil, of course — and to the AFRICAN-AMERICAN website for publishing this photograph.  I don’t know anything about this site —  http://www.africanafrican.com/negroartist/JAZZ%20IMAGES4/index6.html — except that they offer eight pages of assorted “jazz images,” of which this one is most gratifying.

And, in case you’re wondering, Keats was right — even though he never made it to the Pied Piper in 1944.

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VIBRAPHONIA: RAYMOND GRASIER and CO. at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Elin Smith and Flemnming Thorbye)

Leaving aside Red Norvo, the obvious subject for this tribute would be Lionel Hampton, and a few of these performances are aimed that way, but the real honors go to the neglected Thirties recordings Adrian Rollini made for Victor and Vocalion, on vibraphone.

This set was the idea of Frans Sjostrom, the noble bass saxophonist who brought his horn onstage late in the program.  The band at the start was Andy Schumm, trumpet; Steve Andrews, reeds; Alistair Allan, trombone; Paul Asaro, piano; Mike Piggott, violin; Philippe Guignier, guitar; Bruce Rollo, string bass; Richard Pite, drums.

The first two selections are loose-limbed jam sessions on familiar changes — performances that recall the imperishable 1937-41 records that Hampton made for Victor:

I GOT RHYTHM (Elin):

ROSETTA (Elin):

Frans brought his bass saxophone onstage and gave the other horns a rest for the Rollini SWING LOW (Elin) — which doesn’t go where one would expect it to:

For me, the highlight of the set was their version of SMALL FRY, which harks back to a lovely 1938 recording Rollini made for Vocalion featuring Bobby Hackett, whose place Andy Schumm takes for an interval.  (Thorbye):

I’d like to see some bands in the States take on this tune — it has its own life!  Thanks again to Elin Smith, “elinshouse” on YouTube, and Flemming Thorbye, “thorbye” in the same place, for their willingness to offer their videos to JAZZ LIVES.