“LINCOLN GARDENS STOMP”: DOC and MIKE’S CREOLE JAZZ BAND at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Thorbye Flemming and Elin Smith)

This session took us back to Chicago circa 1923, with New Orleans standing behind it all.  Four “good old good ones,” reminding us of King Joe Oliver, Little Louis, Johnny and Baby Dodds, and more — reinvigorated by Mike Durham, Michel “Doc” Bastide, cornets; David Sager, trombone; Norman Field, clarinet; Frans Sjostrom, bass sax; Jon Penn, piano; Jean-Pierre Dubois, banjo; Henry Lemaire, string bass: Nick Ward, drums

BUDDY’S HABIT (Thorbye) features a few of those famous two-cornet breaks, eloquent solos, driving drumming by Nick, and a truly rousing outchorus:

RIVERSIDE BLUES (Elin) defines, for me, the best kind of ensemble playing:

I think MABEL’S DREAM (Elin) is an irresistible multi-strain composition:

CAMP MEETING BLUES (Thorbye) has a melancholy grandeur, and it’s over too soon:

Thanks as always to Flemming Thorbye and Elin Smith,”thorbye” and “elinshouse” on You Tube, respectively!  And there’s more to see at thorbye and elinshouse

And someone — if it hasn’t already been analyzed to death by now — might be able to explicate the “habit” and the “dream.”

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3 responses to ““LINCOLN GARDENS STOMP”: DOC and MIKE’S CREOLE JAZZ BAND at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Thorbye Flemming and Elin Smith)

  1. John P. Cooper

    BUDDY’S HABIT = Goodman’s “Solo Flight”? Kept hearing it as the guys played.

  2. SOLO FLIGHT is, I believe, based on WOLVERINE BLUES — BUDDY’S HABIT has a kinship with CAROLINA SHOUT and LITTLE ROCK GETAWAY, but I wouldn’t deny the connection: famiiiar harmonic turns!

  3. John P. Cooper

    It is quite a compliment to the bands playing there that they can play as well as they do in such a bright, garish setting. Mama mia! The lights and those banners in a school lunch room venue. Not a place to get in the mood for the blues and the jazz,

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