Daily Archives: January 11, 2012

“JUST IMAGINE”: ANDY SCHUMM and JOSH DUFFEE PLAY BIX BEIDERBECKE at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Elin Smith and Flemming Thorbye)

Just imagine — more beautiful performances of music related to the last years of Bix Beiderbecke’s short life — created on November 6, 2011, at the Whitley Bay Classic Jazz Party by Andy Schumm, cornet; Josh Duffee, drums; Norman Field, reeds; David Sager, trombone; Frans Sjostrom, bass saxophone; Keith Nichols, piano; Martin Wheatley, banjo and guitar.

REACHING FOR SOMEONE (AND NOT FINDING ANYONE THERE) (Elin):

JUST IMAGINE (Thorbye) a piano solo by Andy that begins meditatively and then heats up:

DEEP DOWN SOUTH (Elin):

I’LL BE A FRIEND “WITH PLEASURE” (Elin):

“With pleasure,” indeed.

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CECILE McLORIN SALVANT SALUTES BESSIE SMITH and VALAIDA SNOW at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Elin Smith and Flemming Thorbye)

The highly dramatic young singer Cecile McLorin Salvant was a hit at the 2011 Whitley Bay Classic Jazz Party, and she did not disappoint this year.  It’s clear that she has immersed herself in the repertoire she chooses, and she is a high-energy theatrical performer of the old school, someone who throws herself into each song.

In her tribute to Bessie Smith, Cecile was aided by “Bent’s Seven Blue Babies,” Bent Persson, cornet; Jean-Francois Bonnel, reeds; Paul Munnery, trombone; Mauro Porro, piano; Philippe Guignier, banjo; Christian Lefevre, tuba; Nick Ward, drums.

ALEXANDER’S RAGTIME BAND (Elin):

NOBODY IN TOWN CAN BAKE A SWEET JELLY ROLL LIKE MINE (Thorbye):

YOU’VE GOT TO GIVE ME SOME (Elin): duet between Cecile and Philippe . . . whatever can the lyrics can be talking about?

YOU OUGHT TO BE ASHAMED (Elin):

OH, DADDY (Elin):

For her tribute to Valaida Snow, Cecile was joined by Rico Tomasso, trumpet; Jean-Francois Bonnel, Matthias Seuffert, Mauro Porro, reeds; Kristoffer Kompen,trombone; Paul Asaro, piano; Roly Veitch, banjo and guitar; Henry Lemaire, string bass; Richard Pite, drums.

SWEET HEARTACHE (Thorbye):

NAGASAKI (Thorbye):

There’s a good deal more from Cecile to be found on YouTube: those intoxicated by her approach to the music will find much to enthrall them!  Thanks as always to the generous Flemming Thorbye (“thorbye”) and Elin Smith (“elinshouse”) whose videos can be enjoyed on YouTube and their own sites: http://www.thorbye.net., and http://www.elinshouse.wordpress.com.

MAURO PORRO’S PICCADILLY PLAYERS HONOR THE RHYTHMIC EIGHT at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Elin Smith and Flemming Thorbye)

I suspect that the Rhythmic Eight is far better known to listeners in the United Kingdom than in the United States — but I hope to rectify that a bit with this post.

They were a small hot unit of players drawn from the best English dance / hot dance bands of the time, and although the musicians were working with pop tunes of the day, their recordings had a good deal of heat and a solid proportion of solo work — with some rewarding influence from the best American hot players of the day — people we know as Bix, Tram, and Red . . .

This tribute, created and performed on Sunday, November 6, at the 2011 Whitley Bay Classic Jazz Party, features Mauro Porro, saxophone and vocal on GIRLFRIEND and ANNABELLE; Andy Schumm, Andy Woon, trumpets; Keith Nichols, piano; Jean-Francois Bonnel, reeds; Martin Wheatley, banjo and guitar; Richard Pite, sousaphone and string bass; Debbie Arthurs, drums, with an appearance by Mike Piggott, violin, on CAROLINE, and a vocal on I”M CRAZY OVER YOU (first recorded in 1928 by the youthful Bing Crosby) by Caroline Irwin.  And some dancers — Bridget and Jonathan — who should be easily recognizable to you by now.

IS SHE MY GIRLFRIEND? (Elin):

MISS ANNABELLE LEE (Thorbye):

WAY BACK WHEN (Elin):

THERE’S A CRADLE IN CAROLINE (Elin):

I’M CRAZY OVER YOU (Elin):

My tribute to this group is that when I visited Amoeba Music in San Francisco not long ago, I saw a two-CD set on the Retrieval label of the best 48 recordings by the Rhythmic Eight — a set that Mauro had recommended . . . I own it now.  Thanks also to our benefactors, Elin Smith and Flemming Thorbye!

“FROM Ab TO C”: RICO TOMASSO AND FRIENDS PLAY JOHN KIRBY at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Flemming Thorbye and Elin Smith)

The John Kirby Sextet was distinguished by marvelous writing and beautiful playing — accuracy at high speeds with not a note wasted.  (And I wouldn’t be the first person to point out that the Sextet was clearly so influential in what came to be known as bebop in the early Forties — consider that tight unison playing.

But on-the-spot recreations have a force and beauty that didn’t always fit within the confines of a three-minute recording.  Here are four lively examples, recorded on Sunday, November 6, 2011, at the Whitley Bay Classic Jazz Party.  The noble perpetrators are Rico, trumpet; Matthias Seuffert, Jean-Francois Bonnel, reeds; Paul Asaro, piano; Henry Lemaire, string bass; Richard Pite, drums.

SWEET GEORGIA BROWN (Thorbye):

BLUE SKIES (Thorbye):

DAWN ON THE DESERT (Elin):

ROYAL GARDEN BLUES (Thorbye):

Only musicians operating at the highest level of precision and swing could play those charts so beautifully!  Thanks again to Elin Smith and Flemming Thorbye for steady camerawork and musical vigilance, and for their generosity in sharing their handiwork.