Daily Archives: March 29, 2012

A SMALL MASTERPIECE: CHRIS DAWSON’S “BEAUTIFUL LOVE”

This performance of Victor Young’s BEAUTIFUL LOVE — by the subtle, heartfelt pianist Chris Dawson — is aptly named.  The 1931 song was originally a waltz, but that was before Art Tatum, Bill Evans, Jimmy Rowles, and many singers got to it.  (That the song appeared in the film THE MUMMY still continues to baffle and amaze.  Who sang it and to whom?

Here’s Chris — every note a pearl, but there’s nothing precious about his approach to the keyboard:

And for the Jazz Karaoke fans out there, here’s an online version of the lyrics.

Beautiful love, you’re all a mystery

Beautiful love, what have you done to me?

I was contented till you came along

Thrilling my soul with your song

Beautiful love, I’ve roamed your paradise

Searching for love, my dream to realize

Reaching for heaven, depending on you

Beautiful love, will my dreams come true?

Just please don’t drown out the quietly brilliant Mr. Dawson.  That wouldn’t be Beautiful Love at all.

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PAY ATTENTION! NO FOOLIN’: GABRIELLE STRAVELLI and FRIENDS in THE DRAWING ROOM (April 1, 2012)

Singer Gabrielle Stravelli is a delight.

I first heard her only a few weeks ago at a noisy brunch gig.  Unruffled by the loud laughter, the eager conversations,  the crash of dishes, she sailed on, serenely swinging, opening her heart to the audience.

She has feeling but no melodrama, an easy, open approach to the song — with a casual natural style that fits her varied material.

And if an artist is judged by the company he or she keeps, please take a look at the instrumentalists below.  This Sunday-evening gig will take place at pianist Michael Kanan’s beautifully calm studio, The Drawing Room.  Michael will be at the piano; the stellar, mobile bassist Pat O’Leary will be doing what he does so well; the nimble Michael Petrosino will be behind his drum kit.

The Drawing Room is at 70 Willoughby Street #2A, in Brooklyn.  The “R” train stops at the corner; many other trains make it their business to come to a halt at the Jay Street station, two blocks away.  Even I could find my way.  April 1, but no joke — 8 to 10 PM.    $10 admission, with a cash wine bar.  And beautiful music!

COMES IN LIKE A LION, SWINGS OUT LIKE A CAT

We have delightful plans for this Friday night — March 30, 2012: we’ll be at the Allen Room at Jazz at Lincoln Center to hear the remarkable singer Catherine Russell and her all-star band:

Our Catherine’s pedigree is impeccable — daughter of pianist-composer-bandleader Luis Russell and string bassist-bandleader Carline Ray, she grew up with the music (how about childhood acquaintance with one Mister Armstrong?) and she keeps swinging with a big heart.   And her new program will not only connect with her CD, STRICTLY ROMANCIN’ but will focus on Louis and Luis — lifelong friends.  The concerts will take place on Friday and Saturday, March 30 and 31, 2012, with two shows nightly (7:30 and 9:30), located on Broadway at 60th Street in New York City.

And Grammy-winner Miss Russell is wise enough to know that a great singer deserves a great band — with new arrangements.  The sterling fellows onstage will be  Matt Munisteri, guitar, arranger, musical director;  Mark Shane, piano;  Jon Erik-Kellso, trumpet, arranger;  John Allred, trombone;  Dan Block, saxophones, clarinet;  Andy Farber, saxophones, arranger; Lee Hudson, string bass;  Mark McLean, drums; Dave Brown, trumpet; Scott Robinson, whatever he likes.   For tickets visit the JALC Box Office at Broadway at 60th, or www.jalc.org — or call Center Charge at 212-721-6500.  The Beloved and I will be there — I’ll be making notes on a pad to tell you what happened . . . be sure to get there on your own!