Jack with Max Kaminsky, cornet; Jerry Fuller, clarinet; Don Ewell, piano; Lee Ivory, bass (a serviceman filling in for Stan Puls, who had had an emergency appendectomy); Ronnie Greb, drums … a Japanese jazz band and a 45-piace string orchestra. Recorded for JOKR-TV, Tokyo, early January 1959.
The theme, I GOTTA RIGHT TO SING THE BLUES, leads into THAT’S A PLENTY, and an appearance by a Japanese small band. Then comes music even more remarkable: Jack accompanied by a local symphony orchestra on STARS FELL ON ALABAMA, DIANE, PEG O’MY HEART, a slow BACK HOME AGAIN IN INDIANA. Then the Japanese band appears and the program closes with the SAINTS.
What’s astonishing about this — particularly the segment with the symphony, which is as lovely as anything you could want — is the simple beauty of Jack’s pure, deep, melodic playing. The myth surrounding Jack (parallel to the one draped around his friend Louis) is that after the Twenties he was a shadow of his earlier self, repeating the same solos night after night. I would urge anyone who has even entertained this idea (I confess I have) to listen very closely to Jack’s earnest, understated ballads here. And although he looks tired, he is in beautiful form. Trombonists will admire his rich tone, his easy mastery, how he makes it seem so simple.
I think of what Bobby Hackett told Max Jones: “The Good Lord told [Jack], ‘Now you go on down there and show them how to do it,'”as if Teagarden was a celestial figure — true enough.
Thanks to Steve Williams — whose YouTube channel, vitajazz is full of hot jazz and other surprises.
May your happiness increase.