This particular piece of sheet music must have sold well when the song was new in 1931 — if the number of copies that have surfaced in this century is evidence: THAT PRINCESS OF RHYTHM sang WHEN IT’S SLEEPY TIME DOWN SOUTH with the Paul Whiteman Orchestra:
Incidentally, the song takes on new shadings of meaning when you hear the verse: the speaker is dreaming of going back to Virginia, hardly the Deep South.
This sheet music cover is new to me: I note that Mildred was no longer a Princess, although she Featured songs With Great Success. (I wouldn’t argue with that.) And the original publishers seem to have been delicately consumed by Mills Music. I have no idea of the date of this second issue, but the picture suggests the mid-to-late Thirties.
Here’s a small mystery.
A man — you’d know him once I mention his name — recorded this song first, almost six months before the Whiteman record. He sang and played it every night onstage for forty years. Why is there no sheet music with him on the cover? In the period before his great popularity in the Fifties, I’ve seen him on the cover of one song — LIGHTS OUT, circa 1936. He was anything but invisible in all other media: you could see him in theatres, in concerts, at dances here and abroad; he broadcast on the radio and had his own program; he stole the show in films. But no WHEN IT’S SLEEPY TIME DOWN SOUTH.
I wonder why.
P.S. I don’t see his invisibility as a racial issue: other African-Americans got their bands or their pictures on sheet music. The only hypothesis I can invent is that Mr. Collins and then Mr. Glaser wanted too much money for Our Hero’s visage to be Visible. May your happiness increase.