Daily Archives: October 12, 2012

SCOTT ROBINSON / DOC SAVAGE / “THE SECRET IN THE SKY” / VISIONARY MUSIC

In a world that sometimes seems populated by amiable sleepwalkers, Scott Robinson is vividly alive, his imagination a million-color Crayola box.  His music is fully illuminated; it pulsates with energies.

I’ve delighted in his playing — in person and on record — for more than a decade now.  He has a warm sensibility but is not at all afraid to go out to the edge and make friends with the New, the Sounds Never Heard Before.  What he writes and plays is assertive, surprising — but not angry, not pummeling the listener.

His new project is just extraordinary, and even an Old School Fellow like me finds it compelling.

BRONZE NEMESIS is a suite of original compositions devoted to and depicting the immense presence of Doc Savage, hero of pulp novels of the Thirties.  (Ruby Braff was a devoted fan, too.)  In case all of this is making the more traditionally-minded readers a little nervous, I would point out the players: Randy Sandke, Ted Rosenthal, Pat O’Leary, Dennis Mackrel, and (on one track only) the much-missed Dennis Irwin.  The titles of the twelve compositions may suggest to some that Dorothy Gale and Toto are certainly no longer in Kansas — MAN OF BRONZE / THE SECRET IN THE SKY / HE COULD STOP THE WORLD / FORTRESS OF SOLITUDE / MAD EYES / THE METAL MASTER / THE GOLDEN MAN / LAND OF ALWAYS-NIGHT / THE LIVING FIRE / THE MAN WHO SHOOK THE EARTH / WEIRD VALLEY / THE MENTAL WIZARD.  The music, ah, the music — I hear echoes of beautifully energized weird film soundtrack scoring on the highest level, a touch of Ellington here, a dash of Gil Evans, a sprinkle of Mingus — but these references are paltry, because Scott’s musical world is his own, where wondrously surprising Latin melodies share space with the theremin and the wind machine . . . the overall effect songful as well as avant-garde, always spacious and searching.  I initially felt, “Wow, this is strange . . . isn’t it wonderful?”  The CD shows off compositions and inventions from the musicians and the composer that are unusual but not cold; the suite is filled with a warm energy that takes the listener places he didn’t expect to go . . . without scaring him to death.

Scott’s whimsical legal notice (printed in a tiny rectangle — much the same way we are told to keep these plastic bags away from children) reads:

CAUTION: Contains perilous and daring musical adventures.  Do not attempt.

I’m very glad Scott Robinson exists and has the courage to attempt these adventures . . . so that we can come along on the journey.

Here’s a recent email from Scott: if his words (and the video) don’t woo, entice, and entrance, then something’s wrong.

Hello, fans of adventurous music!

Today, Oct. 12, is the birthday of Lester Dent, creator of the 1930s pulp adventure hero Doc Savage.  Therefore this is the day that Doc-Tone Records officially unleashes BRONZE NEMESIS, the new CD of original music inspired by the amazing worlds of Doc Savage, upon the world.  Performed by the Scott Robinson Doctette, these 12 compositions evoke the mystery and drama of twelve of the original Doc Savage stories, such as The Secret in the Sky, The Man Who Shook the Earth, and Mad Eyes.  Heard in this music are such amazing sounds as a 1954 Moog theremin, slide sax, wind machine, and the mammoth contrabass saxophone.  The CD is packaged in a lavish fold-out wallet with extensive notes, startling photographs and original artwork by Dan Fillipone, all protected by a resealable polybag.  It is endorsed by original Doc Savage paperback cover artist James Bama, whose striking portrait of Doc graces the front cover.

To celebrate the release, and Lester Dent’s birthday, whoever orders the CD TODAY, OCT. 12, from our website, will also receive a small gift. Please visit: www.sciensonic.net/doc-tone

This coming weekend, Oct. 19 and 20, Scott Robinson will be appearing at the 2012 Doc Con near Phoenix, AZ, to speak about the project and even play a little music. Whoever buys the CD there will also receive a gift. http://www.pulpcomingattractions.com/DocCon2012-Newsletter8.pdf

Then, on Wed. Oct. 24, the Doctette will appear live at the Jazz Standard, one of the major jazz venues in New York City.  We are mounting a full-out performance, with all the amazing instruments on hand.  Not to be missed! Shows at 7:30 & 9:30 PM. The Jazz Standard, 116 E 27 St., NYC, www.jazzstandard.com

For a sneak peek at the music, see our new video of The Secret in the Sky at: www.youtube.com/watch?v=rlINGKAoce0

Some notable critical comments:

“This is definitely one of the best recordings of the year regardless of category… must listening.” -Mark S. Tucker, Folk and Acoustic Music Exchange

“An abstractly hard-swinging funhouse-ride… with roots firmly planted in outer and inner space.” -Mark Keresman, Jazz Inside

“Without exaggeration… one of the best jazz concerts I have ever attended.” -Loren Schoenberg, Jazz UK

“An out-of-the-box triumph of imagination and musicality… inspired.” -Peter Hum, Ottawa Citizen

“Thoroughly unique music from one of jazz’ most questingly eclectic and wide-ranging talents.” -George Kanzler, New York City Jazz Record

“Loved your music… great jazz. I was most flattered to have a musician of Scott Robinson’s stature compose wonderful jazz for my Doc Savage covers.” -James Bama, original cover artist for Doc Savage paperback editions.

Doc Savage is copyright and TM Conde Nast.  All rights reserved.  Reprinted with permission.

Sadly, I won’t be able to be at the October 24 performance — which pains me — because I will be at the Whitley Bay Classic Jazz Party.  So . . . mark it down, make plans, get yourself there.  I have been fascinated and moved by the CD and am sure that the effects of the music / presentation in person will be even more deliciously powerful.

And there’s a resealable polybag too!  All our needs satisfied.

May your happiness increase. 

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REBECCA KILGORE, HER QUARTET, HER CELESTIAL SELVES

When I sat down to spread the good news, I was reminded of an unpublished e.e. cummings poem about the Rebecca Kilgore Quartet (known to those who know as the RK4):

the rk4

is back for more

don’t

blink

don’t

snore

get out

the door

Cummings was right.

The RK4 (the group formerly known, under an old regime, as B E D) is going to be playing for lucky motivated Californians in November 2012.  The group is our Becky (vocals, guitar); Dan Barrett (trombone, cornet, vocal, mischief); Eddie Erickson (guitar, vocal, banjo, more mischief); Joel Forbes (string bass, dark raptures).

They are one of those rare jazz groups that understands their audience: so they move from a heartbreaking ballad to vaudeville fun, from virtuosity to sweet swing.  The audiences don’t fidget; they’re busy being entranced and the evening rushes by.  The RK4 doesn’t get as many opportunities to appear together as they should — by rights, they should have their very own Sunday-evening television show, with guests — so this is not at all an ordinary occasion.  It’s rather like one of those celestial happenings . . . . if you miss the Perseid meteor shower, there won’t be one in three days.  So do go if you can!

Details:

Sunday, November 4, 2012:  The Norris Center for the Performing Arts, Palos Verdes, California: “Cabajazz” with the Rebecca Kilgore Quartet — Rebecca, Dan Barrett, Eddie Erickson, Joel Forbes.  The Center is located at 27525 Crossfield Drive, Rolling Hills Estates, CA 90274, and it appears that the RK4 will be doing two shows — an 11:30 AM one with brunch; a 5 PM one with “Supper”.  More information here.  Or call (310) 544-0403.

But wait!  There’s more!

Becky’s home town is Portland, Oregon, where she gigs regularly.  On Friday, October 19, it will be Western Swing Night at the Bijou Cafe, 132 SW 3rd Avenue in Portland (503.222.3187).  Becky will sing with James Mason, fiddle; Doc Stein, steel guitar and dobro, Pete Lampe, string bass.  “Dancers very welcome!”

On Saturday, October 20 (do you see a pattern here?  I hope I do.), Becky will be appearing from 8-11 PM at Ivories Jazz Lounge and Restaurant, 1435 NW Flanders (also Portland: 503,241,6514)  with the wonderful David Evans on reeds, Randy Porter, piano; Tom Wakeling, string bass.  And Becky will play her rhythm guitar on both gigs — a real asset.

But wait!  There’s more!

Perhaps there are some JAZZ LIVES readers who have only a dim notion of just how remarkable our Ms. Kilgore actually is.  I don’t know how this could happen, but I am assuming the possibility.  So just to really make sure that no one is in the dark, here is a performance by Becky, Dan Barrett, Rossano Sportiello, piano; Jon Burr, string bass; Ricky Malichi, drums, from the September 2012 Jazz at Chautauqua.  Appropriately for my vision of Rebecca Kilgore as a rare phenomenon, someone who is wholly herself — and we are glad — the song is I SAW STARS:

For more information, you can always catch Rebecca here or  here.  “Celestial” is putting it mildly.  Don’t blink, don’t snore . . .

May your happiness increase.