Daily Archives: October 27, 2012

HOT NOTES (Whitley Bay Classic Jazz Party, Oct. 26, 2012)

Random impressions of the first day at the Whitley Bay Classic Jazz Party . . .

the wonderfully agile and focused violinist Emma Fisk filling in for Joe Venuti, who had other commitments;

Nick Ward, adjusting his gong for the best auditory efficiency, so that he could reach over and hit it (affectionately) at the proper moments — and his castanet work during a dark soulful reading of Jelly Roll Morton’s JUNGLE BLUES (led by Martin Litton);

Andy Schumm’s blue-blowing, luminous cornet, first-rate alto playing;

the same Andy leading a romping rendition of BEND DOWN, SISTER . . . I asked if he would consider a vocal rendition next year;

two magnificent trombonists, Kristoffer Kompen and Alistair Allan;

Bent Persson making Louis come alive on CAFE CAPERS and SPANISH SHAWL  as well as HOT NOTES;

Cecile McLorin Salvant making her way sadly through I GET ALONG WITHOUT YOU VERY WELL;

Spats Langham being both Bing Crosby and Eddie Lang on PLEASE;

Thomas Winteler throwing his head back slightly to show us how the soprano saxophone should sound;

Jean-Francois Bonnel and Rene Hagmann, giants roaming the earth, ennobling the air;

the quietly eloquent Michael McQuaid, making his alto sing;

Norman Field with a rack of reed instruments, making the twenties and Thirties come alive — “That’s Fud Livingston!” I heard someone near me say);

Duke Heitger, muted, playing a tender obbligato;

a hilariously incendiary rendition of HELLO, LOLA (with or without comma);

Keith Nichols being anecdotal from the piano bench;

Josh Duffee getting more music out of one cymbal than Zildian ever imagined;

and more, and more . . .

Beautiful natural sound provided by Chris and Veronica Perrin — I’d hire them for every jazz party!

The Classic Jazz Party will continue on in 2013.

May your happiness increase.

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