Daily Archives: February 9, 2013

BEAU KOO LOUIS: BENT PERSSON’S SAVOY BALLROOM FIVE at the WHITLEY BAY CLASSIC JAZZ PARTY (October 28, 2012)

The music that Louis Armstrong and colleagues made in 1928 Chicago remains vivid.  But aside from WEST END BLUES and NO ONE ELSE BUT YOU (the latter a song Ruby Braff particularly liked) the repertoire hasn’t been explored all that much, perhaps because the Don Redman arrangements are complex.

BEAU KOO JACK was once a famous showpiece, a way to honor Louis: hear the 1929 Earl Hines band’s recording for Victor, with the trumpet section doing a splendid job of becoming the Master in triplicate:

Thus, the idea of Bent Persson and his noble colleagues playing this music in front of me at the Whitley Bay Classic Jazz Party was something I looked forward to with great eagerness.  And I was not disappointed.  You won’t be either.

Bent’s Savoy Ballroom Five (but who’s counting?) are Kristoffer Kompen, trombone; Michael McQuaid, Jean-Francois Bonnel, reeds; Martin Litton, piano; Spats Langham, banjo and guitar; Nick Ward, drums (including the delightfully idiomatic and rare “bockety-bock” cymbals in honor of Zutty Singleton); Rico Tomasso, vocal and trumpet.

FIREWORKS (aptly titled):

SKIP THE GUTTER:

KNEE DROPS (what are knee drops?  A dance maneuver, something to eat, or an ailment?):

TWO DEUCES (celebrating the friendship of Louis and Earl, I assume):

NO, PAPA, NO (or simply NO), by Victoria Spivey:

NO ONE ELSE BUT YOU (Rico on trumpet for Bent):

ST. JAMES INFIRMARY (with an atmospheric vocal by Rico):

GRANDPA’S SPELLS (a duet for Bent and Martin Litton, with a solo taken from the Hot Chorus book):

SAVE IT, PRETTY MAMA (vocalizing by the romantic Mr. Tomassi):

BEAU KOO JACK (“lots of money,” you dig?):

Beaucoup jazz!  And this one’s for Mister Mike.  Visit here to find out more about the 2013 Party, where marvels like this blossom.

May your happiness increase.

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