Daily Archives: October 2, 2013

MIKE, SPIKE, and MURRAY GO EXPLORING (Smalls, September 10, 2013)

No, it’s not a buddy movie or a children’s book.  It’s Michael Hashim (saxophones); Spike Wilner (piano); Murray Wall (string bass) in recital at Smalls on West Tenth Street in New York City on September 10, 2013.  And the explorations are in the mail gentle, melodic searches — although Michael has such a broad expressive range (from Fifties rhythm and blues to sweet Hodges laments) that any group he is part of is bound to have many identities.  Spike is such a splendid shape-shifter himself at the keys: entirely unafraid but totally in love with melodic improvisation; with Murray at the bass, we can all breathe easy — in lovely flexible four-four time, heartbeat-based.

Here are a dozen beauties from that evening.

Perhaps thinking of Ben and Tatum? GONE WITH THE WIND:

Definitely thinking of Ben: it’s his minor blues, POUTIN’:

In honor of Cole Porter, Bing Crosby, Grace Kelly, and Louis — not always in that order, I LOVE YOU, SAMANTHA:

Definitely in honor of Louis!  SOMEDAY YOU’LL BE SORRY:

An unusual and unusually rich Ellington trilogy, beginning with I DIDN’T KNOW ABOUT YOU:

Going back to 1927 for BLACK AND TAN FANTASY:

And the rarely played COP-OUT:

Back to Bing and Hawkins for the lovely 1934 WITH EVERY BREATH I TAKE:

Jobim’s USELESS LANDSCAPE:

Fats’ (and Maurice Waller’s) JITTERBUG WALTZ:

“Bond.  James Bond.”  The soundtrack to a late-Sixties childhood, GOLDFINGER:

Running diagonally in Manhattan and always swinging, BROADWAY:

What spaciousness!  Three melodists on the loose, roaming the galaxy and bringing back treasures of their own making.

May your happiness increase!

MAKE MINE MUNISTERI (Cornelia Street Cafe, October 3, 2013)

Very few artists are awarded the recognition they deserve.  It isn’t a matter of dying penniless and tubercular in a garret, or freezing to death on the street.  No, it’s usually more subtle: publicity, gigs, opportunities to create the art somewhere where people are listening.

I think one of the most worthy creators of music I know is guitarist / singer / arranger / composer / visionary Matt Munisteri.  I have been following him with admiration and sometimes awe for the last seven years, and he always offers beautiful surprises.  Sometimes it is a piece of obscure material (his range is both broad and deep); sometimes it’s familiar music brought back from the grave of familiarity.  His guitar (and banjo) playing makes wise musicians nod their heads in delight; his singing is a wry but heartfelt joy.  He reminds us just how much music there still is — in a time and place where we are used to hearing simply a dull thrumming coming from the next fellow’s earbuds.

I write all this to urge people in New York and environs to come to a rare and special gig — Matt’s first New York City show of 2013.  It’s happening thus Thursday, October 3, at the Cornelia Street Cafe, 29 Cornelia Street, Manhattan, New York, from 8:30 to 10:30.

Matt will be appearing there with Danton Boller and Matt Ray — good fellows, loyal, faithful, and true.  And I know that this trio will make memorable music.  You can make reservations (the CSC is not a huge place, so expect it will sell out) only by phone: 212-989-9319.  Here you can find out more information.

May your happiness increase!