- OUR LUCKY STARS: LEIGH BARKER BAND, “MELBOURNE” and “PARIS”
- “EIGHT LITTLE LETTERS”: The HOLLAND-COOTS JAZZ QUINTET (DANNY COOTS, BRIAN HOLLAND, STEVE PIKAL, JACOB ZIMMERMAN, MARC CAPARONE) at the JAZZ BASH BY THE BAY (March 2, 2019)
- BRINGING THE BLUES TO BARROW STREET: MARA KAYE, TIM McNALLEY, JON-ERIK KELLSO, BRIAN NALEPKA (Cafe Bohemia, February 6, 2020)
- HOT NOTES TO YOU: JOE VENUTI’S BLUE FOUR at CARNEGIE HALL (Friday, June 27, 1975)
- STIFF BREEZES, AN AMPHIBIAN LAMENT, and A LAPSED DARLING: RAY SKJELBRED and HIS CUBS — KIM CUSACK, RAY SKJELBRED, CLINT BAKER, KATIE CAVERA, JEFF HAMILTON (Sacramento Music Festival, May 25, 2014)
- “DO WHAT YOU CAN, WITH WHAT YOU HAVE, WHERE YOU ARE,” or GEORGE BARNES TEACHES PERSEVERANCE (BENNY CARTER, JOE VENUTI, MICHAEL MOORE, Nice, July 22, 1975).
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Forty-Four) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring The EarRegulars (2007 – the Future)
- “WHEN SHADOWS FALL”: BENT PERSSON, MICHEL BASTIDE, and the HOT ANTIC JAZZ BAND (Akersunds, 2010)
- EDDY DAVIS: IN MEMORY STILL GREEN (Scott Robinson, Conal Fowkes, Orange Kellin, Debbie Kennedy, Fernando Kfouri, The Cajun: March 29, 2006)
- “SATCHMOCRACY: A TRIBUTE TO LOUIS ARMSTRONG” by the Jérôme Etcheberry – Popstet (2020)
- IN RESPONSE TO YOUR MOST RECENT EMAIL . . . .
- THEIR COMPASS POINTS SOUTH: HOLLAND-COOTS JAZZ QUINTET (BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, STEVE PIKAL, JOHN OTTO) at the EVERGREEN JAZZ FESTIVAL, July 28, 2019.
- ART UNDER ATTACK: RADIO CITY MUSIC HALL JAM SESSION featuring GENE KRUPA, ROY ELDRIDGE, BOBBY HACKETT, VIC DICKENSON, BENNY CARTER, RED NORVO, BUD FREEMAN, TEDDY WILSON, JIM HALL, LARRY RIDLEY (July 3, 1972)
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Forty-Three) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring The EarRegulars (2007 – the Future)
- SHE’S BACK, BRINGING SWING WITH HER: HOLLAND-COOTS JAZZ QUINTET at MONTEREY (BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, MARC CAPARONE, JACOB ZIMMERMAN, March 7, 2020)
- EASTER SERENADES, NOW (April 4, 2021) and THEN (1944-45)
- BEFORE YOU BOOK THAT THERAPY APPOINTMENT, LISTEN TO THIS:
- DRIVER’S LICENSE: MARA KAYE, TIM McNALLEY, ALBANIE FALLETTA, JON-ERIK KELLSO, BRIAN NALEPKA (Cafe Bohemia, February 6, 2020)
- “THEY SAY IT’S WONDERFUL”: YAALA BALLIN SINGS IRVING BERLIN (CHRIS FLORY, MICHAEL KANAN, ARI ROLAND: SteepleChase)
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Daily Archives: October 19, 2013
AT THE VERY PEAK: MUSIC FROM THE STRIDE SUMMITS (DICK HYMAN, MIKE LIPSKIN, STEPHANIE TRICK, CLINT BAKER, PAUL MEHLING: Lesher Arts Center, August 24, 2013)
Stride piano, beautifully performed, is amazing. For one, there is the simple athleticism required. Try keeping your left hand moving (on a table) at a typical Waller tempo for three minutes without letting the tempo drop or accelerate. And movement in itself isn’t enough; the keyboard is more than a snare-drum head.
But it’s not simply a matter of pounding out single notes and chords (widely-spaced) in the left hand. The best stride players understand that the form has within it the potential to become mechanical, so they create rhythmic tension between bass and treble; they vary dynamics; they add shade and light through chord voicings.
It’s rather like writing a sonnet: that iambic pentameter, those fourteen lines, that set rhyme scheme can be a prison or its apparent limitations can inspire the most dazzling creativity.
And stride duets are even more intense, more precarious: when they come off splendidly, it is beyond remarkable art and precision.
We are fortunate that even after the great stride triumvirate — Waller, James P., and the Lion — left us, there were many successors (think of Wellstood, Ewell, Sutton in the recent past) and there is a wonderfully creative gang of striders, here and globally, who continue to delight.
The form stretches across the generations. In the Stride Summits held in Walnut Creek and San Francisco at the end of August 2013, concerts invented and sustained by Mike Lipskin, we had Stephanie Trick and Dick Hyman, separated by six decades . . . with Mike, Clint Baker, and Paul Mehling, nestled happily in the chronological middle.
Mike Lipskin — known to most as someone who learned from the Lion, from Eubie Blake, and many other elders, a fine pianist, singer, composer, and wit — is also a diligent musical thinker, so his concerts don’t degenerate into Fast and Loud. These three concerts were beautifully planned and the music was varied throughout.
The Beloved and I saw all three concerts (August 24-25) and enjoyed every note. I was able to bring my camera to the Lesher Arts Center and although I recorded them from one side of the stage, then the other, “waiting in the wings” has never been such a pleasure.
Here is a handful of keys (and, yes, that is the first song) from these happy stride nights that didn’t take place uptown in Harlem some time in 1936 — but in our century.
Fats’s early showpiece, HANDFUL OF KEYS, by Dick and Mike:
Eubie Blake’s TROUBLESOME IVORIES, by Stephanie, who tames the keyboard with grace:
Rocking the house in a different way with BOOGIE WOOGIE STOMP by Stephanie and friends (who couldn’t stop themselves from joining in):
Serene and mystical — the early Gershwin theme, LULLABY, by Dick:
Pastoral ruminations in 3 / 4, with Fats’ JITTERBUG WALTZ, by Dick:
A tribute to James P. Johnson, the worthy patriarch, with OLD-FASHIONED LOVE / KEEP OFF THE GRASS, by Stephanie and Mike:
Pete Johnson’s DEATH RAY BOOGIE (inspired by early science fiction, films, or comic books, I wonder?), by Stephanie:
And something truly “ancient,” Cole Porter’s IT’S ALL RIGHT WITH ME, by Mike and Dick:
It was all right — and more — with three audiences, I assure you.
Did you miss these concerts? You might have, since they were sold out very quickly.
But there’s good news. “Mark it down,” as Billie said on MISS BROWN TO YOU.
There will be another Stride Summit at the positively gorgeous Filoli on August 10, 2014. It is not too early to plan for this ecstatic happening.
P.S. Dinah Lee also sang beautifully at the three concerts. Sadly, the technical limitations of my camera prevented her from being shown off as she should be. But there will be videos of Dinah to come!
May your happiness increase!