“GOOD AFTERNOON, HOT MUSIC AFICIONADOS,” SEPTEMBER 1944, AND HAPPY BIRTHDAY TO UNCLE DA DA

I don’t ordinarily join in the chorus of people celebrating the birthdays of those who have left us, but, “from Ketchikan to Calcutta,” we can all salute Eddie Condon, who was born November 16, 1905. . . . with a little music, as he would have liked — in this case, an AFRS transcription of a Town Hall concert from September 9, 1944.

A New York Times advertisement for a Condon concert, 1942: courtesy of MULE WALK AND JAZZ TALK

An April 1942 advertisement: thanks to MULE WALK AND JAZZ TALK

The collective personnel, as explained by Mister Condon — from the hallowed and gilt-edged Town Hall — is Max Kaminsky, Muggsy Spanier, Billy Butterfield, trumpet / cornet; Miff Mole, trombone; Pee Wee Russell, clarinet;  Ernie Caceres, baritone saxophone; Gene Schroeder, Bob Haggart, bass; Condon, Gene Krupa, Joe Grauso, drums.

Some stream-of-delighted-consciousness notes on the music: LOVE NEST (with Krupa accents during Mole’s solo, continuing to push Max onwards, then Pee Wee).  Some words from Eddie and Gene, leading in to BIG NOISE FROM WINNETKA (how beautiful the sound of Haggart’s bass is!); a salute to Louis — with a brief arranged introduction — in BIG BUTTER AND EGG MAN (with Muggsy replacing Max) — pay close attention to Pee Wee’s sixteen bars, where he seems to float backwards against the nearly-violent current of the music — before Muggsy pays the Master homage.  A pause before THE BLUES BY PEE WEE RUSSELL with dark filigree by Schroeder behind him; then HEEBIE JEEBIES featuring Billy Butterfield and Joe Grauso (Krupa may have had to sprint back to his regular gig at the Capitol Theatre) — with some skips in the disc during Miff’s solo; then the closing IMPROMPTU ENSEMBLE, with the soloists announced: Schroeder, Caceres, Mole (nifty pushing riffs behind him), Max, Muggsy with his plunger mute, Pee Wee, Billy Butterfield, Haggart, Schroeder for another circuit, Caceres also, Max, Muggsy, Pee Wee (the subject of sarcastic witticisms), Butterfield, Grauso . . . .leading into an ensemble paraphrase of DIPPERMOUTH BLUES with drum breaks.  And that applause was real (with unannounced segments of BIG BOY and SWING THAT MUSIC  — Krupa audibly present on the latter — spliced in from a different concert: I hear Max, Pee Wee, Caceres, and Benny Morton up front.)

I have a wall of CDs, and a good many of them are by Eddie Condon and his friends, but I would certainly love to live in an alternate universe where on a Saturday afternoon I could be sure of turning on my radio and hearing a half-hour of this splendor.

Note: the music from this transcription — without the AFRS “fillers” at the end can be heard, in better sound quality, on Volume Five of the comprehensive Jazzology Records series of Condon concerts 1944-45, more than twenty CDs in all.

This one’s for Hank O’Neal — who enabled many of us to hear the Town Hall concerts for the first time — and for Maggie Condon, for many reasons.

May your happiness increase!

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s