Daily Archives: January 20, 2014

GENTLY SWINGING, THEN ROMPING: ROSSANO SPORTIELLO and FRANK TATE: “WONDER WHY” / “STRIKE UP THE BAND” (September 22, 2013)

Beautiful music with two deep hearts and an irresistible bounce. Pianist Rossano Sportiello and string bassist Frank Tate, conversing with us and with each other at Jazz at Chautauqua (now the Allegheny Jazz Party) in September 2013.

From a medium-tempo meditation on WONDER WHY to a full-out swing call to arms on STRIKE UP THE BAND:

There are many ways to swing and tell melodic stories, and Messrs. Sportiello and Tate are Sages and Masters of this Art.

May your happiness increase!

DECLARATIONS OF LOVE: JOEL PRESS, MICHAEL KANAN, BOOTS MALESON, FUKUSHI TAINAKA at SMALLS (Dec. 20, 2013)

Some “contemporary creative improvised music,” sounds to me as if players are creating auditory versions of Kandinsky angularities.  Let us remember always how the tenor saxophone, when played by a Master, can croon and purr and woo and seduce: groovy love.

Two sweet examples below come from an evening at Smalls — December 20, 2013 — with a quartet led by tenor Master Joel Press, with piano Master Michael Kanan, string bass Master Boots Maleson, and percussion Master Fukushi Tainaka. The tempo for the first is yearning rapture (“Oh, how my life would be transformed if I could call you mine.”) and the second is the delighted excitation of things perhaps best imagined rather than verbalized (“Wow!”).

IF I HAD YOU:

YOU DO SOMETHING TO ME:

Declarations of love, not only to specific people who may or may not have been in the audience or on the planet, but to Ike Quebec, Eddie Miller, Lester Young, Art Tatum, Jimmy Rowles, and a host of others who well deserve our love and reverence.

More to come.

May your happiness increase!