Daily Archives: April 20, 2014

BLUE AND POIGNANT. FOR BIX. FOR US: THE EARREGULARS IN EUROPE (MATT MUNISTERI, JON-ERIK KELLSO, SCOTT ROBINSON, GREG COHEN in HUNGARY: MARCH 28, 2014)

This video celebrates one of many interlocked triumphs.  For one, the wonderful elastic small group known as the EarRegulars (most often spotted on Sunday nights at The Ear Inn, 326 Spring Street, New York, from 8-11 PM) made their maiden voyage to Europe.  They recorded a CD — something the faithful, like myself, have been waiting for . . . for a number of years) and they performed, as a justly featured ensemble, at the 23rd International Bohém Ragtime & Jazz Festival.

Here’s one of their performances — captured with many cameras in rapt silence (as opposed to the homespun videos I’ve shot at The Ear Inn) of a song always associated with Bix Beiderbecke, Frank Trumbauer, and Eddie Lang — SINGIN’ THE BLUES (by J. Russell Robinson, Con Conrad, Sam M. Lewis, and Joe Young.  Matt Munisteri, vocal and guitar; Scott Robinson, tenor saxophone; Jon-Erik Kellso, trumpet; Greg Cohen, string bass:

Recorded at the Bohém Festival in Kecskemét, Hungary, March 28, 2014.  More info about the Bohém Festival here.

Now, the beauties of that performance will be evident to anyone willing to sit still and listen. But a few things need to be said. One is the sustained sweet delicate understatement shown by all four players, singly and as an ensemble. No one weeps or carries on; no one has to step to the microphone and sing or play LOOK AT ME, I AM SO UNHAPPY. They trust themselves, and they trust the power of the notes and words to convey the complex messages of this song.

And — rather like the Willard Robison songs of which Matt is the master — the sadness has a slight tinge of wry self-awareness. I’m singin’ the blues, my baby is somewhere else, life is so sad . . . but I am going to make something beautiful out of my sorrows.

And since 1927, when Bix, Tram, and Lang (among others) recorded SINGIN’ THE BLUES, it’s been one of the most imitated recorded performances in classic jazz. Notice, please, that the EarRegulars are not in the business of xerography, of necrography, of exact reproduction. They know the recording; they could play the solos, but they have faith in the music . . . to carry them to beautiful new places that echo old glories.

Poignant and worth several visits.

May your happiness increase!

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