A BRAZILIAN WATERCOLOR: NATE NAJAR TRIO

More than half a century ago, Bossa Nova and Brazilian pop music became part of our common musical language; I recall how delightfully we were surrounded by the sounds of Charlie Byrd, Stan Getz, Jobim and Gilberto.

NATE NAJAR TRIO

The music is still vividly alive, as demonstrated by guitarist Nate Najar’s new CD, AQUARELA DO BRASIL (Candid Records CCD79988), where he is joined by Tommy Cecil, string bass; Chuck Redd, drums (all except 5, 7) and vibes (5, 7); Harry Allen, tenor saxophone (3, 8); Duduka Da Fonseca, drums (5, 7).  The songs are Canto De Ossanha / Carinhoso / Ligia / Aquarela do Brasil (Brazil) / Amparo (Olha Maria) / Chovendo No Roseira (Double Rainbow) / Fotografia / Samba For Felix / Charlotte’s Fancy / Canto De Ossanha (in an extended version).

Nate, in the fashion of his mentor Charlie Byrd, makes beautiful pools of sound on his unamplified guitar — reminding us that this sometimes-abused instrument was meant for amorous serenades — but he never loses his uplifting pulse.  Indeed, many of the performances on this disc have rollicking vamps as their heartbeat, but they are never merely rhythmic exercises, for Nate, Tommy, Chuck, and Harry are too deeply committed to melody for that. And although the swinging evocations of dancing in Rio are irresistible, I was drawn to the more meditative moments on this disc: Nate’s ruminative playing on CHARLOTTE’S FANCY and CARINHOSO, and his opening statement on AMPARO. The music, although all “Brazilian,” comes from different composers and eras — four by Jobim, but also compositions by Barrosa, De Moraes, and two more recent originals by Byrd and Cecil — spanning a range of music from the late Thirties to the present. The result is evocation rather than a copy — this is not a “famous album reproduced fifty years later” but a soulful exploration of the many possibilities of the genre.

Here is more information about the disc (including Nate’s gently perceptive notes — minus the final two paragraphs) on the Candid Records site, and you can learn more about Nate here.  For an engaging sample of the music Nate’s trio creates live, here is a 2012 recording of SAMBA FOR FELIX (named for jazz enthusiast and disc jockey Felix Grant) recorded in 2012:

May your happiness increase! 

2 responses to “A BRAZILIAN WATERCOLOR: NATE NAJAR TRIO

  1. Sheafe Ewing

    Love the sounds of Brazil… but (on this particular recording) all I heard (i.e appreciate) was percussion

  2. Rebecca Kilgore

    Dear Michael, I can’t wait to hear this. Many thanks! -Roo

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