- OUR LUCKY STARS: LEIGH BARKER BAND, “MELBOURNE” and “PARIS”
- “EIGHT LITTLE LETTERS”: The HOLLAND-COOTS JAZZ QUINTET (DANNY COOTS, BRIAN HOLLAND, STEVE PIKAL, JACOB ZIMMERMAN, MARC CAPARONE) at the JAZZ BASH BY THE BAY (March 2, 2019)
- BRINGING THE BLUES TO BARROW STREET: MARA KAYE, TIM McNALLEY, JON-ERIK KELLSO, BRIAN NALEPKA (Cafe Bohemia, February 6, 2020)
- HOT NOTES TO YOU: JOE VENUTI’S BLUE FOUR at CARNEGIE HALL (Friday, June 27, 1975)
- STIFF BREEZES, AN AMPHIBIAN LAMENT, and A LAPSED DARLING: RAY SKJELBRED and HIS CUBS — KIM CUSACK, RAY SKJELBRED, CLINT BAKER, KATIE CAVERA, JEFF HAMILTON (Sacramento Music Festival, May 25, 2014)
- “DO WHAT YOU CAN, WITH WHAT YOU HAVE, WHERE YOU ARE,” or GEORGE BARNES TEACHES PERSEVERANCE (BENNY CARTER, JOE VENUTI, MICHAEL MOORE, Nice, July 22, 1975).
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Forty-Four) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring The EarRegulars (2007 – the Future)
- “WHEN SHADOWS FALL”: BENT PERSSON, MICHEL BASTIDE, and the HOT ANTIC JAZZ BAND (Akersunds, 2010)
- EDDY DAVIS: IN MEMORY STILL GREEN (Scott Robinson, Conal Fowkes, Orange Kellin, Debbie Kennedy, Fernando Kfouri, The Cajun: March 29, 2006)
- “SATCHMOCRACY: A TRIBUTE TO LOUIS ARMSTRONG” by the Jérôme Etcheberry – Popstet (2020)
- IN RESPONSE TO YOUR MOST RECENT EMAIL . . . .
- THEIR COMPASS POINTS SOUTH: HOLLAND-COOTS JAZZ QUINTET (BRIAN HOLLAND, DANNY COOTS, MARC CAPARONE, STEVE PIKAL, JOHN OTTO) at the EVERGREEN JAZZ FESTIVAL, July 28, 2019.
- ART UNDER ATTACK: RADIO CITY MUSIC HALL JAM SESSION featuring GENE KRUPA, ROY ELDRIDGE, BOBBY HACKETT, VIC DICKENSON, BENNY CARTER, RED NORVO, BUD FREEMAN, TEDDY WILSON, JIM HALL, LARRY RIDLEY (July 3, 1972)
- SUNDAY NIGHTS AT 326 SPRING STREET (Part Forty-Three) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring The EarRegulars (2007 – the Future)
- SHE’S BACK, BRINGING SWING WITH HER: HOLLAND-COOTS JAZZ QUINTET at MONTEREY (BRIAN HOLLAND, DANNY COOTS, STEVE PIKAL, MARC CAPARONE, JACOB ZIMMERMAN, March 7, 2020)
- EASTER SERENADES, NOW (April 4, 2021) and THEN (1944-45)
- BEFORE YOU BOOK THAT THERAPY APPOINTMENT, LISTEN TO THIS:
- DRIVER’S LICENSE: MARA KAYE, TIM McNALLEY, ALBANIE FALLETTA, JON-ERIK KELLSO, BRIAN NALEPKA (Cafe Bohemia, February 6, 2020)
- “THEY SAY IT’S WONDERFUL”: YAALA BALLIN SINGS IRVING BERLIN (CHRIS FLORY, MICHAEL KANAN, ARI ROLAND: SteepleChase)
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Daily Archives: September 3, 2014
THE CHAMBER MUSIC SOCIETY OF LOWER STOCKTON STREET: PROFESSORS GROSZ, OAKLEY, and VENTRESCO (August 17, 2014: Part One)
A long time ago, when I was a college student listening to string trios, quartets, and quintets, I was told that the great groups were Thibaud-Cortot-Casals, the Budapest Quartet and Friends, the Guarneri Quartet (whom I saw several times in concert). But while I was learning my Brahms, Schubert, Haydn, Mozart, Dvorak, and others, I was getting deeper into small-group jazz. And it occurred to me often that the inspired interplay I heard in the “Trout” or the “American” was no different from a record of Sammy Price and Sidney Catlett boogieing their way through a blues, or the Edmond Hall Celeste Quartet, the Goodman Trio, Jimmie Noone’s Apex Club Orchestra, the Basie rhythm section. And in person I saw Soprano Summit, Al and Zoot, Bobby and Vic, the Braff-Barnes Quartet, the EarRegulars, and many others.
All this is long prelude to say that inspiring chamber music takes many forms. In jazz, it is always incredibly uplifting to see a very small group of musicians do two or three things at once — create communal variations out of their shared knowledge and conventions AND go their own brave ways. Courage, joy, playfulness, and beauty.
Here is some very recent evidence that stirring chamber-jazz sessions are happening all around us, with some of the finest players. This one brought together East and West — East being Professor Grosz (Chicago, New York, and Philadelphia) and West being Professors Oakley and Ventresco from the San Francisco Bay Area. No music stands, just swing and on-the-spot frolicking. Acoustic splendor, with two very different approaches to the guitar — in solo and accompaniment — and with Leon’s very heartfelt cornet shining a light for us all to follow. (Highlights from the 2014 Marty Grosz West Coast Tour, for the historians in the audience.)
SONG OF THE WANDERER:
SHOE SHINE BOY:
JOE LOUIS STOMP:
CRAIG’s LOWDOWN BLUES:
Three more performances from the second half (after a quiet intermission) will be offered in the near future.
May your happiness increase!