This music gives me such pleasure that I am reposting both halves of the performance, and my original prelude:
A long time ago, when I was a college student listening to string trios, quartets, and quintets, I was told that the great groups were Thibaud-Cortot-Casals, the Budapest Quartet and Friends, the Guarneri Quartet (whom I saw several times in concert). But while I was learning my Brahms, Schubert, Haydn, Mozart, Dvorak, and others, I was getting deeper into small-group jazz. And it occurred to me often that the inspired interplay I heard in the “Trout” or the “American” was no different from a record of Sammy Price and Sidney Catlett boogieing their way through a blues, or the Edmond Hall Celeste Quartet, the Goodman Trio, Jimmie Noone’s Apex Club Orchestra, the Basie rhythm section. And in person I saw Soprano Summit, Al and Zoot, Bobby and Vic, the Braff-Barnes Quartet, the EarRegulars, and many others.
All this is long prelude to say that inspiring chamber music takes many forms. In jazz, it is always incredibly uplifting to see a very small group of musicians do two or three things at once — create communal variations out of their shared knowledge and conventions AND go their own brave ways. Courage, joy, playfulness, and beauty.
Here is some very recent evidence that stirring chamber-jazz sessions are happening all around us, with some of the finest players. This one brought together East and West — East being Professor Grosz (Chicago, New York, and Philadelphia) and West being Professors Oakley and Ventresco from the San Francisco Bay Area. No music stands, just swing and on-the-spot frolicking. Acoustic splendor, with two very different approaches to the guitar — in solo and accompaniment — and with Leon’s very heartfelt cornet shining a light for us all to follow. (Highlights from the 2014 Marty Grosz West Coast Tour, for the historians in the audience.)
SONG OF THE WANDERER:
SHOE SHINE BOY:
JOE LOUIS STOMP:
CRAIG’s LOWDOWN BLUES:
And here are three more performances from the second half. The sky had grown darker outside and thus the interior lighting needed help. The visual image is less sharp but the music remains exquisite.
A very mellow KEEPIN’ OUT OF MISCHIEF NOW:
FROM MONDAY ON, a sweet conversation all the way through, with Mister Grosz bursting in to song:
May your happiness increase!