Large groupings of musicians on the stand of a jazz party look impressive but they don’t always come off as well as they might.
But this one was even better than the best I could have imagined — genial, melodic, and always inspired: led by Danny Coots, drums; with Paul Keller, string bass; Randy Napoleon, guitar; Rossano Sportiello, piano; John Cocuzzi, vibes; Dan Block, tenor sax; Allan Vache, clarinet; Dan Barrett, Bob Havens, trombone; Ed Polcer, cornet; Bria Skonberg, trumpet. All this delightful music was created at the 15th Atlanta Jazz Party, late in the evening of April 26, 2014.
The set began with a romping version of PANAMA, but my camera betrayed me. (Note to self: never change batteries in midstream.) So you will have to imagine it. But what followed was even better, WHEN I GROW TOO OLD TO DREAM:
After the comedy by Allan Vache, Dan Barrett, and Danny himself, we move into a deeply satisfying series of “conversations,” starting with the two trombones. If you want to go back into recorded history, this device reminds me of Red Nichols sessions where Jack Teagarden played a “hot” chorus while Glenn Miller played the melody sweetly — a delicious simultaneous mixing of tastes. (I also recall, since Ed Polcer was on this session, nights at the last Eddie Condon’s where Ed and Ruby Braff would switch off — melody and improvisation — for a few choruses, always very inspiring.) The device also solves the unstated problem — if each of the soloists takes the traditional two choruses, performances stretch out to amazing lengths. This DREAM is about five minutes of music, but it feels filled to the very brim with melody and swing that floats through the conversations of Ed and Bria, of Dan and Allan (over the rhythm section’s rocking two-beat) — followed by sweet epistles by Randy, Rossano, Paul, and then the tidy but never constricted ensemble — a model of letting everyone have his / her say in a flexible, compact fashion.
I think everyone on the stand was elated by what they had created, and I know the audience was joyful. Danny then (after more comedy) called for MY BABY JUST CARES FOR ME (another “ancient” pop tune that is rarely played — and if it is, not at this walking tempo) that reminds me of the best swing sessions I’ve ever heard, playful improvisation never flagging:
What could top that? Well, nothing — but adding Rebecca Kilgore to the band to sing some Anita O’Day – Gene Krupa blues, DRUM BOOGIE / BOOGIE BLUES, which is closely related to SENT FOR YOU YESTERDAY, but we’ll let people who care about provenance argue over that. Me, I simply love to hear Ms. Kilgore sing — and over this sweetly-Basie group, it is a treat:
Couldn’t be better. And I think it’s relevant to mention that another version of all this good feeling and good sounds will be taking place in April 2015. I’ll be at the Atlanta Jazz Party (April 17-19) as will many of the brilliant players you see here — with some surprises. Make plans!
May your happiness increase!