Daily Archives: November 2, 2014

HOORAY FOR CAPTAIN SKJELBRED!

Today, November 2, is the birthday of one of our heroes — pianist / composer / singer / poet / imaginer / scholar Ray Skjelbred.  He is an original, even when he is letting the great traditions flow through him; he is both inscrutable and generously open; he continues to improve life in this century.

No formulaic cupcakes with candles for Captain Skjelbred!

I offer instead a small musical mosaic of his own subversive creations — the first three when no one was supposed to be paying attention (someone might call it “making friends with the piano”) that I captured on May 25, 2014, at the Sacramento Music Festival.

Since I envision Captain Skjelbred as a quiet spy in the enemy country of mediocrity and repeater pencils, the fact that I caught him unaware might just be fair play.  He does the same for and to us: in the fourth video, MY GALVESTON GAL (performed with his Cubs — Clint Baker, string bass; Katie Cavera, rhythm guitar; Jeff Hamilton, drums; Kim Cusack, clarinet) there is an odd and whimsical phrase Ray creates at 1:50 that makes me say, “What? What?” every time I hear it.

And he does it again, playing the piano, playing music, playing with our expectations — and always gratifying them in ways we didn’t know existed.

Thank you, Captain Skjelbred.  We are grateful you are here.

Music for Groucho — Kalmar and Ruby, 1930:

A little Monkishness, or is it Monkiania?:

Some blues, sun-warmed, locally grown, organic:

And a pop tune from 1933, MY GALVESTON GAL, featured by Henry Allen, Coleman Hawkins, and Benny Morton — much-beloved silliness, with a particularly Skjelbredian interlude at 1:50:

And no one calls him schnorrer. (Julius can explain, or you could look it up.)

P.S.  Should anyone wonder, “Michael, now you’re posting clips that last less than a minute?  Have you run out of things to post?”  The answer is, in a hushed tone, “You have no idea of what remains to be seen.” The idea of a mosaic of orts and fragments appeals to me, and I hope also to the Captain.  Found poetry!

May your happiness increase!

BRILLIANCE TIMES THREE (Part One): TAL RONEN, MARK SHANE, DAN BLOCK at CASA MEZCAL (Oct. 26, 2014)

Three eloquent yet casual musicians — Tal, string bass; Mark, piano; Dan, clarinet and tenor — at work and play in the pleasing surroundings of 88 Orchard Street, on the lower East Side of New York City, captured by my camera last Sunday, October 26, 2014.

A sure cure for the gloomies, for world-weariness.

Here are four beauties from the first set.  There will be more, I promise you.

BETWEEN THE DEVIL AND THE DEEP BLUE SEA:

DON’T BE THAT WAY:

PRISONER OF LOVE:

SECOND BALCONY JUMP:

This is living synergy, a translucent acoustic orchestra. Such music blesses us.

May your happiness increase!