Jazz at Lincoln Center (and JazzTimes) just sent an announcement about the 2019 Jazz Congress, January 7-8, 2019 at Jazz at Lincoln Center, Broadway at 60th Street, New York, New York. One panel is:
Jazz, Swing, Race and Culture
Considering swing as a rhythm or swing as a feeling or a verb, what are the social, cultural, and racial factors that affect individuals’ perception, acceptance or rejection of the concept? Player[s] and thinkers ponder what swing means in 2019.
I doubt that it will happen, but in my ideal world, the player[s] and thinkers at JALC will watch these videos before pondering. The music was created in 2017, not 2019, and there are other ways to swing, but what Kris and his Gang did was genuine and might eliminate some theorizing.
These four performances come from a magical band that made a splash at the 2017 San Diego Jazz Fest: Kris Tokarski, piano; Jonathan Doyle, clarinet / tenor saxophone; Larry Scala, guitar; Nobu Ozaki, string bass; Hal Smith, drums. I could spend paragraphs pointing out resemblances and echoes of the Ancestors (you’re free to chase such things at your leisure) but I’d rather you admire these living heroes at play, and such expert play.
LOVE ME OR LEAVE ME:
REPEATER PENCIL (and, yes, such a thing did exist: see here):
DROP ME OFF IN HARLEM:
JUST ONE OF THOSE THINGS:
Festival organizers, club bookers, concert promoters with taste: now’s the time!
Incidentally, this is the charming 1929 record from which I take my title:
May your happiness increase!