AUDIENCE PARTICIPATION at the SAN DIEGO JAZZ FEST: THE CHICAGO CELLAR BOYS (November 25, 2018): ANDY SCHUMM, JOHN OTTO, PAUL ASARO, JOHNNY DONATOWICZ, DAVE BOCK

I must write at the start that I had thought of titling this post YOU CAN’T MAKE THIS STUFF UP, but decided to direct readers in a slightly different direction.

The relations between artists performing in public and their audience are often strange, especially at live jazz events.  The ideal audience (to me) sits rapt and attentive, but this austere ideal is not shared by everyone.  Often, the members of the audience renew old acquaintance throughout a performance — listening, if at all, marginally — and then shout WOOHOO! at the end.  Or they applaud in the middle of performances, which is, I assume, to be encouraged as a show of gratitude, but hearing people applaud when two instrumentalists are “trading fours” — after each solo utterance — goes beyond praise.

Someone once suggested the rather bleak theory that audience members couldn’t stand suppressing their egos for long, so they had to respond because they, too, wanted to be heard.  If anyone’s now tempted to write in and characterize me as a killjoy, I will only say that to me music is holy and even the hottest band’s outchoruses should be appreciated in ways that allow everyone to hear the music.

All of this is preface to a performance, captured on video, by the Chicago Cellar Boys at the San Diego Jazz Fest just a few days ago.  The Cellar Boys (their name a homage to sessions featuring Frank Teschemacher, Frank Melrose, Wingy Mannone, and Bud Freeman; later, Marty Grosz (a/k/a “Mart ‘Beef’ Gross”), Frank Chace, Dick Wellstood, and Pops Foster.  These Cellar Boys are a band-within-the-band of the Fat Babies, comprised of Andy Schumm, cornet, clarinet, tenor; John Otto, reeds; Paul Asaro, piano, vocal; Dave Bock, tuba; Johnny Donatowicz, guitar, banjo.  Here is the penultimate song they performed at their last set, on November 25, 2018.

PLEASE watch and listen attentively to the very end:

I don’t know how to account for that audience member’s ejaculation. Was it simply reflex?  “Oh my goodness, the music is going to end!  We can’t have that happen!” Or was it the punchline to the joke — a bit of comedy?  I don’t know.  But I am so glad I let my camera run.

And, as a postscript, I found the CCB entrancing, so I recorded many performances at the San Diego Jazz Fest.  They satisfy.

May your happiness increase!

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5 responses to “AUDIENCE PARTICIPATION at the SAN DIEGO JAZZ FEST: THE CHICAGO CELLAR BOYS (November 25, 2018): ANDY SCHUMM, JOHN OTTO, PAUL ASARO, JOHNNY DONATOWICZ, DAVE BOCK

  1. The ideal audience (to me) gets up and fox-trots. When this music was played originally, audiences were dancers.

  2. CLAPPING SOLOS during jazz concerts is like multiple bows at the end of operas – a polite convention. I prefer the spontaneous utterances of ‘Amen’ or ‘I hear you’ reminiscent of gospel services. Of course while applauding one misses the the next soloists entry. A local Jazz Club ( the Cellar, Vancouver now closed) used to ask that people respect the music by not talking and saving appreciation to the end of the tune. I liked this. Nowadays even the best Jazz is accompanied by loud chatter, clinking glasses and ringing tills. Nice to have a gig with an audience!

  3. Don ""Zoot" Conner

    Nothing new with clinking glasses and ringing tills,i’ve been putting up with them and clinking people who holler and scream during all performances,a musical pox on them.I’m looking forward to more tapes from this concert.Glad you’re feeling better,Michael

  4. Thank you- what a wonderful performance!

  5. Pingback: BY POPULAR DEMAND: THE CHICAGO CELLAR BOYS at the SAN DIEGO JAZZ FEST: ANDY SCHUMM, JOHN OTTO, JOHNNY DONATOWICZ, DAVE BOCK, PAUL ASARO (November 24, 2018) | JAZZ LIVES

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