Some children get upset if the green beans and mashed potato on their plate are touching. Some listeners separate “their” music into schools and styles, existing in the same space but kept at a safe distance. I just read a review of a festival where the writer delineated “trad” and “not trad at all,” which to me is a shame. Musicians know that they can play any repertoire in inventive ways, move in and out of rigidly defined “traditions” and create lasting satisfying art.
Here’s a shining example, the ON THE LEVEE JAZZ BAND (that’s the cover of their debut CD above). I’ve posted music from another performance here. To me, their joyous essence is a mixing of “genres”: soloists who know Blakeney, Darnell Howard, Don Ewell, but who are also aware of Buck Clayton, Ed Hall, Vic Dickenson, Steve Jordan, Walter Page, and Jo Jones. The secret is a flowing 4/4 — music for dancing as well as listening.
This most excellent small band is devoted to the music of Kid Ory in his later decades, led by drummer / scholar Hal Smith, and including Charlie Halloran, trombone, Ben Polcer, trumpet / vocal; Joe Goldberg, clarinet; Kris Tokarski, piano, Alex Belhaj, guitar, Josh Gouzy, string bass. The set presented here was recorded on November 25, 2018, at the San Diego Jazz Fest.
. . . .and study war no more:
A problem with transporting a precious substance:
Hey, Dad — you coming back?
Some early Ellington with a debt to Joe Oliver:
“Honey, are you free on Monday?”:
Gus Mueller, if I recall, said decades after the fact that the title had no hidden meaning — they just liked the sound:
This one always comes in handy:
A song for parents of newborns or anyone embracing transformations:
For further announcements and more good news, visit here. I’m pleased to say I will see them three times in 2019: the Redwood Coast Music Festival, the Evergreen Jazz Festival, and the San Diego Jazz Fest. You come, too.
May your happiness increase!