MAKING CONNECTIONS, 2010 and 2019, WITH THE HELP OF NORMAN FIELD

I spent much of the morning hooking up a new computer setup: my laptop and my neck have a tumultuous relationship, so I prefer a desktop computer, a large monitor, and all the trimmings.  That means a good deal of crawling around under a table, plugging wires in to the wall and in to the back of the computer (Swift’s phrase “Leaping and Creeping” came frequently to mind).  The image below is an exaggeration, but most readers know the feeling, even if they wouldn’t wear those shoes:

I succeeded,without banging my head on the underside of the table of cursing: a double victory.

As a reward to myself for all that technological-dancing, even though it was primarily on all fours, I decided that the first thing I should do on this computer, after being allowed access to my own life, would be to share some music — appropriately a song celebrating a new hot dance, the SHIM-ME-SHA-WABBLE.

Since technology, going all the way back to cylinder recordings, has blessed us with the power to make the past and present dance on into the future, here is a performance from July 11, 2010, at what was then the International Jazz Festival at Whitley Bay, featuring Norman Field, clarinet; Nick Ward, drums; Andy Woon, trumpet; Paul Munnery, trombone; Frans Sjostrom, bass sax; Jacob Ullberger, guitar / banjo:

Fewer than 400 jazz-hot fanciers have viewed this video in nearly a decade, so this post is my effort to share joy with more people.  Keep dancing, everyone, wherever you can.

May your happiness increase!

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