Daily Archives: December 21, 2019

JAMES P. JOHNSON’S “BLUE MIZZ,” PLUS VIC DICKENSON

I’ve loved the 1943-44 recordings by the Blue Note Jazzmen since I first heard them in the early Seventies.  Here’s James P. Johnson’s pensive yet dramatic composition, BLUE MIZZ, from 1944 — with the personnel listed on the label.  I’ve kept this link even though the disc has serious skips:

Thanks to friend and swing star Michael Gamble, here’s a link that doesn’t skip:

And here’s a holy relic just spotted a few minutes ago on eBay.  The seller (link      here) is asking slightly more than eighty-five dollars for the disc, which is not within my budget at the moment (is it too boastful to say that I have two Vic autographs, one that he signed for me?) . . . but I thought you would like to see the combination of sound, object, and the touch of a hero’s hand:

Bless the artists who made these sounds, and let us not forget a single one.

May your happiness increase!

A postscript: I created this posting about ninety minutes ago: someone bought the record described above, which makes me feel quite good . . . Vic devotees are reading JAZZ LIVES!  Also — the race IS to the swift.  Twenty-four hours later, I realized that the disc might have been bought by someone who’s never read this blog — but the illusion of my connecting the cosmic dots is one I will hang on to a little longer.

UPTOWN DELIGHTS: MICHAEL BANK QUINTET at THE SHRINE (CHARLIE CARANICAS, JOHN LUDLOW, BEN RUBENS, STEVE LITTLE: October 29, 2019)

Shrine World Music Venue, on Adam Clayton Powell Boulevard (7th Avenue), just below 134th Street in Harlem, is a welcoming place, “a multimedia arts and culture venue, founded in 2007 by musicians and music lovers in the music capital of Harlem, USA. . . . dedicated to art and culture in all mediums: film, theater, dance, and live music. Shrine World Music Venue’s mission is to establish a positive creative atmosphere for both artists and audiences from all backgrounds.”

I haven’t been there often, but admire their commitment to independent artists.  Late last October, I read that the pianist / composer Michael Bank, someone I’ve followed for fifteen years now, would be leading a small group there, and I eagerly went “uptown” for a brief but memorable gig. Michael had with him the venerable drummer Steve Little (Steve would have me tell you that he, once again, was playing on a drum set not his own), bassist Ben Rubens, trumpeter Charlie Caranicas, and alto saxophonist John Ludlow.  Here are some of the highlights of their late afternoon swing exploration.

But first: Shrine is deceptive: its somewhat muted exterior conceals an interior mixing science-fiction and disco.  My phone pictures do not do it justice.  To their credit, the musicians ignored the lighting and just played — splendidly.

Michael and Charlie:

HAVE YOU MET MISS JONES?

WATCH WHAT HAPPENS:

DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS?

DEWEY SQUARE:

I wait for my next summons to the Shrine, where good music is allowed to grow, and does.

May your happiness increase!