In these uncertain times, I feel the need to make room for silliness — goofy archaic cultural history that also sounds pleasing, and if anyone takes issue with the implications of the lyric, the offense lasts at most a few seconds more than three minutes. The song itself is not necessarily a great work of art, but it stayed with me, because of the creamy sound of the orchestra and the winsome vocal.
The song itself — I DO! — is a collaboration between John Jacob Loeb, Paul Francis Webster, and Lester Banker. The first two names are familiar: Loeb was in part or wholly responsible for SEEMS LIKE OLD TIMES, GOT THE JITTERS, ME MINUS YOU, BOO HOO, and A SAILBOAT IN THE MOONLIGHT; Paul Francis Webster wrote lyrics for — memorably — THE SHADOW OF YOUR SMILE, I GOT IT BAD, SECRET LOVE, BLACK COFFEE, and LOVE IS A MANY-SPLENDORED THING; about Lester Banker, I can find almost nothing except composer credit for WALTZ IN BLUE. Perhaps he was the person who said, “Why don’t we write a song called _____ about ______ ?” and then either went to the men’s room or got coffee for everyone.
I heard the song for the first time this year, thanks to a Rivermont Records collection, SHADOWS ON THE SWANEE, 1932-1934: ISHAM JONES AND HIS ORCHESTRA. (You can also learn more about this reissue — which contains two incredibly rare home-recordings of the Jones group — here.)
What you choose to make of the culture that produced this song, with its sweet-goofy-earnest promises, I leave to you. I suspect that in 2020 it will be a kind of litmus test, but I’d rather listen to this record than analyze its unspoken biases:
Just remember. One, no putting in the living room. Two, make sure there are plenty of Rivermont Records to listen to (since Jones Victor 78s fetch appalling prices on eBay). Three, get a prenup.
And if all of this is too dusty for you, perhaps this modern icon will help?
May your happiness increase!