FOUR KINDS OF RADIANCE: JON-ERIK KELLSO, JOHN ALLRED, MATT MUNISTERI, TAL RONEN at CAFE BOHEMIA (January 16, 2020)

Before darkness fell, there was light. And although the stage lighting was sometimes an unusual deep red, one of the places where it shone brightly was the basement of 15 Barrow Street in New York City, Cafe Bohemia.

Here’s a glowing example: radiance created with unaffected skill by Tal Ronen, string bass; Matt Munisteri, guitar; John Allred, trombone; Jon-Erik Kellso, trumpet. Heroes of mine.

But first . . . their choice of material is not the usual, but A SHANTY IN OLD SHANTY TOWN — one of those popular songs given new life by improvisers. On YouTube, you can find Ted Lewis’ 1932 let-no-heartstring-be-untugged version, the 1940 Johnny Long hit (where the band sings vaguely-hip glee club lyrics) and there’s also a Soundie. But many deep listeners will know it from recordings by Edmond Hall and Coleman Hawkins, then Red Allen and George Lewis and on and on. The harmonies are not the usual, with many traps for the unwary.

The lyrics, not heard here, are a Depression-era fiction (1932) where the speaker rhapsodizes about his decrepit home in the poorest section of town, but inside there’s a “queen / with a silvery crown,” whom I take to be Ma. Another version of “We’re incredibly poor but we’re happy,” which I suspect kept Americans from rioting. Cultural historians are invited to do their best.

I thought “shanty” came from Gaelic, but it’s French Canadian. The shanty on the cover of the sheet music is really rather attractive, with electric wires visible. Even though there’s erosion, it would be listed high on Zillow.

Here’s the luminous performance by these four, shining their particular light:

I am very sentimental about performances like these: without fuss or fanfare, musicians taking little stages in New York City to illuminate the darkness and uplift us. We didn’t know (or at least I didn’t) that it was all going to stop in March. But I see glimmerings and rumblings of new life. For one thing, directly related to the joys above, Jon-Erik Kellso and the EarRegulars will be playing outside the Ear Inn (326 Spring Street, New York City) on Sunday, May 2, 2021, from 1 to 3:30. I expect that our friend Phillip (“the Bucket”) will also be in attendance.

To keep your spirits high, here is a recording that I think few know — a soaring, Louis-inspired version of SHANTY, from 1938, by Willie Lewis and his Entertainers, recorded in Holland, featuring Herman Chittison, piano; Frank “Big Boy” Goudie, clarinet; Bill Coleman, vocal and trumpet — giving that tumble-down shack wings:

Those New York days and nights will come again and are starting to happen . . . .

May your happiness increase!

2 responses to “FOUR KINDS OF RADIANCE: JON-ERIK KELLSO, JOHN ALLRED, MATT MUNISTERI, TAL RONEN at CAFE BOHEMIA (January 16, 2020)

  1. Louis-derived yes, however Bill Coleman had his own take on scat singing: thrilling, abstract, swinging and humorous. And his soaring trumpet and magnificent range was irreplaceable.

  2. Ida Melrose Shoufler

    Both videos are exceptional!! I am a big fan of these awesome musicians. I grew up listening to, and singing Shanty In Old Shanty town, It has always been a favorite tune of mine, This is one of the best versions I’ve heard, Thank you for the joy this post brings me, dear Nephew!

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