“SHELLAC IN THE VINEYARDS,” or A NOTE FROM TONY BALDWIN, April 22, 2021

What’s the connection between this:

and this?

Why, Tony Baldwin, of course. Clever of you to have discerned it.

I knew Tony Baldwin first as a superb pianist — in the Nineties, with Tom Baker’s Swing Street Orchestra, and on a Stomp Off CD, OZARK BLUES, which also featured Ian Date, Bob Henderson, and Len Barnard (and he’s recorded again in this century) — then as a lucid writer-annotator on some of the now-rare Masters of Jazz CDs . . . but he is always creating something new.

Here’s his email that arrived today:

Bonjour Michael,
This may be of no particular interest to folks who’ve heard every Bix, Bubber, Benny and Blind Blake in existence. However, it might be wacky enough to amuse you.
 
I live in what used to be the general store of a village in Languedoc wine country, except there’s no more Brie or baguette on the shelves — at least, none for sale. All wall space is taken up with…78rpm records, much to the chagrin of local shoppers. And the discs aren’t for sale either. 
However — and here’s the really bizarre part — since Covid began a year ago, I’ve been helping out some buddies of mine on KMUN, a community station in coastal Oregon, by spinning two hours of fairly eclectic 78s (though 75% jazz) from the shack once a week via the web. Heck, the time difference is only 9 hours, so why not?
It airs Thursdays at 11pm-1am PST (i.e. 2am-4am in NYC), at https://radio.securenetsystems.net/v5/index.cfm?stationCallSign=KMUN

If you don’t happen to be an insomniac, recent shows are archived at https://coastradio.org/archives/ . Then you scroll down to my name.
Ok, I’m surrounded by vineyards, but on air I’m usually fairly sober. 
Best wishes, 
Tony Baldwin
P.S. The shoppers are safe, as the general store had already relocated to a new place 200 yards down the road.

Who could resist? And just to add a four-bar tag, here’s Tony’s biography as it’s offered to us at the KMUN site:

British musician, collector and sound engineer Tony Baldwin is based in provincial France, where for more than a decade he’s been playing jazz gigs and restoring vintage shellac recordings. At age 9, Tony stumbled across an old family phonograph, together with a stack of 78rpm records that he and his brothers found were great for target practice in the yard. Eventually, he tried playing one of them and was fascinated by the weird stuff that he heard, as it was nothing like the Stones or the Beatles. He’s been fascinated ever since.

Something else to bring pleasure, I think.

May your happiness increase!

One response to ““SHELLAC IN THE VINEYARDS,” or A NOTE FROM TONY BALDWIN, April 22, 2021

  1. Amazingly clear recordings!

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