The cold facts. Trombonist / composer / bandleader Curtis Fuller, born December 15, 1934, left us on May 8, 2021.
In Michael J. West’s farewell piece in Jazz Times, he wrote this, “Asked in a 2012 interview by writer Mark Stryker about the keys to a good solo, Fuller replied, ‘Humor and dialogue. … Music is English composition. Each song should have a subject, and phrases should have a noun, a verb, and like that. It should be expressive. Exclamation points: Bap!’”
I knew there were reasons I admired this man. And although I was initially excited about the music you will hear because of the presence of my hero Jimmie Rowles, I celebrate Curtis Fuller as well. This session from the Grande Parade du Jazz on July 13, 1978 — audio only — presents Curtis Fuller, trombone; Jimmie Rowles, piano; Barney WIlen, tenor saxophone; Red Mitchell, string bass; Bobby Rosengarden, drums, playing a repertoire that I would call sophisticated Mainstream: SOFTLY, AS IN A MORNING SUNRISE / ALL OF YOU / THESE FOOLISH THINGS (Mitchell) / STELLA BY STARLIGHT with Fuller cadenza / JITTERBUG WALTZ (Rowles, Mitchell, Rosengarden).
I know some of my more “traditional” readers might feel that jazz trombone begins and ends with Jack Teagarden, and I revere Jack, Vic, Bennie, Dicky, their ancestors and their modern heirs, but I urge them to give Curtis Fuller an open-eared hearing. He is a great vocal player; he speaks to us; he has things to say. Fuller is technically adept but he is more interested in telling us his very vocal stories. Hear him out. And you can, on a second hearing, absorb Rowles’ subversive beauties, and the way the rest of the band — apparently an unusual mixture of players — settles in to swing:
Thank you, Curtis, for your energy, humor, and open-heartedness.
May your happiness increase!