WITH DISPATCH AND VIGOR: MARTY GROSZ and FRANK CHACE and FRIENDS, 1951

Marty Grosz, young, spiffy.

One of Marty Grosz’s favorite vaudeville bits is to announce the next number, and say “. . . performed with dispatch and vigor,” and then motion to two musicians near him, saying, “That’s Dispatch, and that’s Vigor.” How old it is I don’t know, but it still provokes a laugh from me and the audience. (The expression goes back to the eighteenth century and before: it crops up in a letter from George Washington, which would please Marty if he doesn’t already know it.)

Perhaps the earliest recording we have of Marty (then playing a four-string guitar) and his miraculous colleague Frank Chace dates from 1951, issued on a limited edition 10″lp by THE INTENSELY VIGOROUS JAZZ BAND. The personnel is John Dengler, cornet; Marty Ill, trombone; Frank Chace, clarinet; Hal Cabot, piano; Marty Grosz, guitar; Stan Bergen, drums. Princeton, New Jersey, May 1951. I have a copy here somewhere, but it proves elusive. From what I remember of the liner notes, Marty and Frank were ringers, added to the Princeton students’ band of the time.

Frank Chace, young, ferociously intense.

Through the good offices of the very generous collector Hot Jazz 78rpms — who shares marvels regularly on his YouTube channel — I can offer you all of this rather grainy but certainly precious disc. But before you leap into auditory splendor, may I caution you: not everyone on this session is at the same level, but it would be wrong to give it only a passing grade as “semi-pro college Dixieland.” Close listening will reveal subtleties, even in the perhaps overfamiliar repertoire. Marty, Frank, and John shine. And the three Princetonians, none of whom went on to jazz fame, play their roles. With dispatch and vigor.

NOBODY’S SWEETHEART NOW:

BUDDY BOLDEN’S BLUES (a memorable Chace chorus):

THE CHARLESTON:

I FOUND A NEW BABY:

THE SHEIK OF ARABY (my favorite):

BASIN STREET BLUES:

AT THE JAZZ BAND BALL:

and, yes, WHEN THE SAINTS GO MARCHING IN with some of its original luster intact:

Intense, vigorous, and joyous too. And if you hear echoes of Eddie, Charles Ellsworth, Bix, and their friends, that’s not a bad thing.

May your happiness increase!

2 responses to “WITH DISPATCH AND VIGOR: MARTY GROSZ and FRANK CHACE and FRIENDS, 1951

  1. Thanks for these sides Michael. Frank Chace is a revelation and I never knew John Dengler played cornet – I have only enjoyed his performances on bass sax. My last concert, due to Covid, was Mr. Grosz’ 90th birthday party here in Philly. I’m hoping he’s still doing well. Thanks again.

  2. Marty had a 91st birthday party at the Awbury Arboretum, and I posted some performances of that also!

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