Halley’s Comet comes back every ninety years. By those standards, The Microscopic Septet is a frequent visitor to New York: 2017, then now. But five years is a long time by earthly standards, so the return of the Micros is a jubilant thing.
News flash: the Micros will be playing their other New York gig at Smalls, Christopher Street, Thursday, July 21. Be there if you can or become a member for free, or better, make a donation here and watch the live-stream.
I know it’s odd to start with still photographs, since the Micros are such a mobile group, but they are terribly photogenic, so I couldn’t resist. One more:
And now to more words. The Microscopic Septet wowed us in two sets at Tarrytown’s hidden jazz oasis, the Jazz Forum (a wonderful place!) on Sunday night, July 17, 2022. They are Joel Forrester, pianist, composer, arranger, co-leader; Phillip Johnston, soprano saxophone, composer, arranger, co-leader; Richard Dworkin, drums; Dave Hofstra, string bass; Dave Sewelson, baritone saxophone, vocal on I’VE GOT A RIGHT TO CRY; Michael Hashim, tenor saxophone; Don Davis, alto saxophone.
And if you are new to the Micros — who have been visible and audible for thirty-and-more years — they are more expansive than my words could convey. They have energies in profusion, and they rock. Their rhythm never falters, and you’ll hear elements of the last hundred years of jazz mixed in a savory stew, always surprising: reed-section unisons and backgrounds, riffs and stop-times, passionate soloing that owes much to early rhythm and blues on one end, free jazz on the other. Strong melodic lines and lots of drama, leavened with humor, futuristic and earthy all at once.
Here’s the first performance of the first set, Joel’s MANHATTAN MOONRISE:
Oh yes, there will be more! But get yourself to Smalls on Thursday night, two sets.
May your happiness increase!