Tag Archives: 1867 Sanctuary Arts and Culture Center

EMBRACED WARMLY BY MUSIC: DANNY TOBIAS, GEORGE RABBAI, PHIL ORR, PAT MERCURI, JOE PLOWMAN (Part Three): March 24, 2018

THIS JUST  IN: Danny and George will be back at the 1867 Sanctuary on Saturday, September 22, from 2-4 PM.  Mark it down.)

Here are the closing performances — the second set — from a lovely afternoon of rewarding music.  Those who missed the first two segments may savor them here.


That picture gives all the needed details, but it can’t convey the genial loving spirit that animated the music: friendly conversations among players who deeply respect and value each other, on and off the bandstand.  And you would have to be at the 1867 Sanctuary to hear how fully it welcomes creativity.

A feature for the rhythm section, led by the lyrical Mr. Plowman — from GUYS AND DOLLS:

The great Fifties Basie groove on a composition by Freddie Green:

Danny’s romp on familiar chord changes (test yourself!) which is also the title of his latest CD, COMPLETE ABANDON:

Danny’s feature — THESE FOOLISH THINGS — on his special new / old cornet:

A gorgeous bouquet of sound, scored for two fluegelhorns, EMILY:

And the brief closing selection, IT’S YOU OR NO ONE:

What wonders!  I believe that Danny and George have talked of doing another afternoon performance at the unique 1867 Sanctuary and I hope this comes to fruition soon.  All I can tell you is that I left the address in my car’s GPS and I will keep it there.  “Worth a trip from anywhere!” as a radio commercial used to tell us.  Thank you, Danny, George, Joe, Phil, Pat, Bob and Helen Kull, Caroline Roth, Lynn Redmile, and everyone else who made this possible.

May your happiness increase!

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EMBRACED WARMLY BY MUSIC: DANNY TOBIAS, GEORGE RABBAI, PHIL ORR, PAT MERCURI, JOE PLOWMAN (Part Two): March 24, 2018

If you haven’t savored the lovely music these five players made in their first four performances, please click here.  The occasion was an afternoon concert at the lovely and welcoming 1867 Sanctuary Arts and Culture Center in Ewing, New Jersey, and the artists were Danny Tobias and George Rabbai on trumpets, fluegelhorns, cornet, and a basketful of mutes, with Phil Orr, piano; Pat Mercuri, guitar; Joe Plowman, string bass.

As Joe Venuti used to say, “This must be the place!”

And this was the banner for the occasion:

Here are four more memorable offerings.

What George called “the human condition,” I WANT TO BE HAPPY:

Pat Mercuri’s touching evocation of Eddie Lang, APRIL KISSES:

STARDUST, played as if brand-new:

And the closing number of the first set, Danny’s HOW’S IT GO?:

There’s a whole delightful second set that I will share with you, soon.

May your happiness increase!

EMBRACED WARMLY BY MUSIC: DANNY TOBIAS, GEORGE RABBAI, PHIL ORR, PAT MERCURI, JOE PLOWMAN (Part One): March 24, 2018

It’s lovely to see and hear indebtedness, art, and gratitude all combined into a glowing musical gift.  I’m not at all being hyperbolic, as you will understand.

But before I get wrapped up in the music, let me point out that this all happened yesterday, Saturday, March 24, at a place you should know about — the 1867 Sanctuary Arts and Culture Center at Ewing, New Jersey.


And what was “this”?

Now you know.  But in all fairness to the graphic designer and the copywriter here, that advertisement might have made people who didn’t know Danny, George, Pat, Phil, or Joe leap to incorrect conclusions.  “Pops to Bop” might have suggested a-history-of-jazz-trumpet, or an afternoon vacillating between WHAT A WONDERFUL WORLD and DIZZY ATMOSPHERE.  But these musicians meet on common ground; they love one another, and the music was so warmly played and presented that there was not even a thirty-second note of the formulaic here.  It wasn’t a battle of genres: quite the contrary, if you squinted in just the right way through the stained glass windows, you could see Buck, Louis, Sweets, Basie, and Dizzy grinning like mad.

And although the brass instruments displayed and played here are often quite assertive, there was none of that signifying stuff, no “I can play higher, I can play louder,” so the sound was resonant, glowing, and in its own way serene, even at faster tempos.  

Introducing the second song, HALF NELSON, Danny talks about how George was and is his inspiration, and even if he hadn’t explained that, we could hear it in the air.

Let me share the first four performances with you.

Danny’s original (in the spirit of the season to come) PASS OVER:

Following that thread, I’M CONFESSIN’:

HALF NELSON, credited (I think) to Miles, but who can tell?

And to close off this segment, George’s lovely reading of BODY AND SOUL:

It was a nearly six-hour round trip by car from my place to Ewing: I’d do it every weekend ti hear this band.  Aren’t they wonderful?  Savor this quartet of beauties: there are ten more to come.

May your happiness increase!